Showing posts with label Masters in Journalism University of Westminster. Show all posts
Showing posts with label Masters in Journalism University of Westminster. Show all posts

Thursday, May 30, 2013

Khan Academy can, but contemporary academia is still the key to new knowledge

Students find a eureka moment at the Masters programme at the University of Westminster

In case you missed this on Newsnight last night. At 37.34 item on the Kahn Academy - one of the emails from senior academic group  at my university.  

Khan, the uber educator, has done much to revive the debate in traditional versus new lines of education. It's much needed and it was interesting to hear him state that online will not replace the irrational fear held by some educators.

This is what I emailed back to our group.


Hi All
I didn't miss it.  Great piece in Wired Magazine some issues back.

Kahn's kudos is that he took the time to do it and its low cost, high penetration, means it works particularly well in educational systems where there are large volumes of students and no where near enough the lecturers to provide cover.

It works well too around fixed epistemologies  e.g. calculus, anatomy, A-z of  literature. As Khan said himself it's a supportive system.

In areas of education which are dialogical or indulge cognitive dissonance, this linearity of presentation is flawed. 

In the lecture room, assisting students to build rhetorical arguments is crucial, at least in theoretical and pragmatic journalism. It requires a live agent.


There are some institutions dong something interesting along this with live streaming and the ability for students to tweet, blog in questions. Not perfect when you have 1500 around the globe asking.

Perhaps, the next step is for intelligent algorithms to group live questions into clusters so you might have five supporting lectures answer questions.

End+



Technology is part of the solution
Presenting a lecture at Apple, my job was to challenge current knowledge based on grounded theory and not supposition.

Technology has always been an enabler, but the idea it is a determinant eschews any notion that someone had to think first, or that society or social cause was agnostic in this equation. 

If the guys behind twitter hadn't thought of THE  idea to connect friends, they wouldn't have built the software. The social cause becomes what Winston calls the supervening necessity.

The use of video offers a supporting mechanism to the production of knowledge. In my lectures, once I have set up an understanding of what CSS or Java is, I encourage students to go to You Tube etc, because the incisive value, where I am key to the development, is hermeneutics.

Where the educator grounded in theory and pragmatics excels is in challenging structuralism, rewarding each studentas heteronomous individuals.

Why Khan's methodology has also caught the zeitgeist is the perceived, rightly or wrongly of academia becoming super markets for education, and I believe there is some validity in this. 

The solution lay in traditional mass establishment's of the 70s, getting that reboot, that yes will involve video and the new tools, but bridging them with grounded theories and embracing new thoughts.

At every branch of knowledge production is a counter argument, the purpose of being an educator is to teach that in interpretation, rather than, identifications, there are no absolutes.

Learn the rules, break them, develop your own by standing on the shoulders of your fore bearers and then re-create theory. Linear education can't do that!

p.s BTW I count myself as a major super geek. Graduated in Applied Chemistry, Got first computer ZX81 later 80s, Worked my first mac in South Africa 1992. Built my first website in 1997, first emall 1996 using compuserve. Used the first model Hi-camera 1000 in 94.  I luuuurvveeee technology, but it's not the only answer.  David designs at Viewmagazine.tv



Saturday, March 05, 2011

Media Storm, Ilicco Elia, Death Marches - taming online for future journalism

Reuters Ilicco Elia drops by lectures to critique work and present
Read this: Masters web sites front pages- Go beyond the blog

One day in the Masters in Journalism Online module and student teams are now counting the seconds to go live.



Three teams of eight have been "death marching" to hit the publishing deadline after 6 weeks studying how to build and comprehend online communications. It's not over yet too.

The term "death march" has its contemporary roots in software development but came to prominence  in the late 1990s whilst working for a number of dotcoms. The verge of web 2.0 and funding to launch meant no one slept.

It's a death march because you go with little sleep or food over a fixed period to get the job done. Edward Youdon's Death March  is worth a read.

So far the present crop of Masters cohorts have taken in CSS, XHTML, Flash, Pshop and of their own volition Jquery and Java Script and more. That's the software bits, but there are development formalities that arise evaluated within  a real-time workflow.

The module is given the alternative name, "the rabbit hole" for a number of reasons related to Alice In Wonderland: night and day blur with an array of madhatter problems and solutions thrown the students' way.

The default is to test cohorts to unconsciously make mistakes and deconstruct afterwards thus making less mistakes thereon. The value of making mistakes is a symptom of creativity, and thus should be welcomed, particularly in the hypemedia landscape - where no semiotic is fixed.

From design, brief, team management, workflow, creativity, and server technical support - if its part of the real-world it goes under the microscope.

To say online is not for the meek is putting it mildly as the course is designed to not only test new skills, but behaviour and group dynamics  - often employing the wisdom of crowds.

The new journalist
This coupled with the documentary module, which uses one aspect of my videojournalism praxis provides a thorough grounding in creating a new modality of journalist.

If docs is about affectivity, then hypermedia, where we are now, is about delineating the nature and notions of how to deploy affectivity.  That is how and what do you do to alter the state of something to become more tangible.

Similarly, the move forward in online is about interrogating classical and contemporary spaces and their role in a post-post structural society.

Post structural here refers to dissociative position given to deconstructing language. The world we now inhabit can no longer be interpreted by an exclusive fixation on semiotics or psychoanalysis but more fluid visual methodologies.

For instances in News you're told you can't do a jump cut ( classical); but you can in post structural because the language now is meshed - a disruption accelerated by Youtube et al

Industry giants
So what better way to rattle the cage of journalism and communications further than to bring in two industry giants thus far and a third and fourth looming.

Firstly one of the Guardian newspaper's top 100 influential media people Ilicco Elia, who came in on a lecture and roughed up ( in a very nice way) the students and their work.

The way Ilicco works is so naturally unnatural. Within a minute he had the students at ease critiquing their work with comments such as: "I really like that", and "your information architecture is the pointing the wrong away from your work".

Ilicco's cameras
Ilicco's passion as one of the UK's leading mobile technologists, knitting content and audiences, is pushing mobile content. No surprise then when he emptied his bag. This is what fell out: 7 mobile phones, not counting his Ipad, pc etc.

His lecture on a Reuter's mobile capabilities and how audiences  benefit from real-time transmission of pics (during the World Cup, the system he helped develop meant he received a photo of an England goal within 15 seconds) underlines his philosophy of
distribution.

Incidentally if anyone from Canon, Sony et al are reading this, I agree with Ilicco's thinking that it's high time pro cameras were fitted with wireless relaying devices to push pictures to consumers.


MediaStorm
Student listening to Brian

Later in the afternoon the founder of one of the world's leading multimedia agency's MediaStorm's Brian Storm, skyped into lectures giving students around an hour of Q and A.  Questions ranged from his unique methodology, his background, how he started and how interns could join his outfit.

Brian was equally superb: what does it take to be the best? Passion, passion, passion, he answered. You don't do journalism to get rich was his payoff.

I want to pull out one story he told that illustrates a candidness and doggedness exemplifying a schema everyone should adopt. Conversely this story also highlights what goes on beneath his highly finished products - a rare insight behind the scenes.

Brian Storm, Mediastorm founder talked about the making of this story
The story relates to abortion of female sexes in areas of India. An intern with local knowledge and the appropriate sex ( something that may not figure in the editorial meeting in Western societies) was instrumental in securing interviews.

The production then wove Walter Astrada's (photographer) narrative and that of the story itself into a seamless production. It was in the post where things got interesting.  Brian said they had to rework the female-voiced narratives a couple of times, with user experience feedback before it truly gelled.

Brian mentioned they have a number of projects in the works, not least their publication, and various workshops where the MediaStorm brand has fast become a working methodology.

You can find an interview with Brian which I conducted in Miami, where we first met and a feature on Ilicco hosting a mobile phone gathering of experts at Reuter's London HQ here.

Meanwhile here are some some shots from the lecture and online newsroom caught by Masters student Valeria  - an accomplished photographer in her own right.


 To find out more about the sites being launched go here:

Read this: Masters web sites front pages- Go beyond the blog

To find out more about Masters in Journalism programmes at the University of Westminster go here.
To find out more about this author's work in new journalism go here to viewmagazine.tv
The views here are my own and do not reflect policy of the University of Westminster.