Showing posts with label Kevin Haggarthy. Show all posts
Showing posts with label Kevin Haggarthy. Show all posts

Sunday, December 23, 2007

REFLECTIONS

As we bid adieu to this year in expectation of the next, a look back on a few things, in no particular order of fun, frivolity and work, which are now deep memory pylons.

Most are just images which capture a moment and reveal their own story.

FT
One of the real pleasures was working alongside the FT.com team.

Sharp as razors, as you'd expect, but full of fun.

How often, from afar, we mentally prep ourselves only to be immensely surprised at the turn of events.

The digital pages of the FT will be one to watch with a new team unravelling new areas of multimedia reportage.





8 Days


It may have weathered, but as new outfits or traditional ones try out video and the rest, 8 Days still appears a favourite from my logs.

As with most of the dedicated films on viewmagazine.tv there's a sense of he movie poster about it; something that heavily influences my work.



You can't see it


Using the clone tool in photoshop I comped this image to illustrate how some of us just can't see it, this new Event Horizon.

Disturbing somewhat!

In a film (was it Greenaway?) I recall a beast had his eyes in the palm of his hands.

What was that film again?


IM6 VideoJournalism


I've often interchanged this coinage IM6 or MI6; the latter more interesting as that's the acronym of the UK's foreign intelligence service.

But this image was one of 6 on viewmagazine peeling back the idea of integrated multimedia video journalism.

The main window is the deep sea dive off Gallipoli which includes the BBC World Service report from Gallipoli


VideoJournalism circa 1993


How far we've come.

An image of an old colleague from the days when we lugged around a huge camera costing 40,000 us dollars working at London's equivalent of New York One.

Rachel, now a professional motivator, has recently been knighted with an MBE for her services to Afghanistan teaching and empowering women with communication skills in radio.

More here on the videojos 10 in 1994




Take a 300,000 US dollars car, a network TV presenter and me, the VJ, and this is what you might get from an unrehearsed shoot.

My friend Kevin was taking the car back to Ferrari's base and asked whether I wanted to come along.

He was late and so wasn't really up to many of the sequences I threw up in the air as we drove.

"David, sure, maybe some other time, but I'm a bit late returning the car".

But this is waht we got and you've been generous.

Perhaps some more tests in 2008.

Any sponsors?

The Ferrari 599 GTB isn't she something here for viewmagazine.tv which has far less compression or if you prefer here on Brightcove
Or here on Youtube.

Part 1


Part 2




The Superstar-in-waiting


And how, how can I forget the amazing Nancy Ginindza - a former student of the University where I lecture.

The head of the course, Kienda called me up:

"David quick you gota come and listen to this".

Nancy's music, raw energy is the stuff of William Wallace.

Kienda and I have spent a few late evenings at her gigs trying to capture what she does.

She hasn't broken through yet, but if we can still play a part - great.

Looking forward to devising her promo in the New Years



Same song with visuals




Happy festive season

Friday, August 17, 2007

Ferrari -part 2



Youtube chews this stuff up. I'll put a better quality one on a server somewhere even Viewmag.
Njoi

Thursday, August 09, 2007

Car progs


About to post the full 20 mins of the film on Ferrari 599 GTB soonish.

If anything I hope it demonstrates what you can achieve with video journalism outside the confines of news productions.

I'm no where near doing a first here. Scores of programme makers have used dvcams to make progs.

But I hope what comes through is the mobility and turn around. On the day I filmed it was raining sheets, so that added to the drama. The film took a couple of hours to produce and then i developed this dummy site.
If I were to pursue the car idea, I think the K.app is, it's not a programme on cars per se, but one on the culture and lifestyle that surrounds the car, so nuances such as people talking to the presenter, Kevin Haggarthy, get a look in - where it's relevant of course.

I cut it on my powerbook and then took the final cut into Afrer Effects to add some tints. BBC Top gear can use up to 24 production crew for its show : Editor downwards. Cost? A couple of thousand pounds. A VJ prog maker? Er you do the maths.

Not quote top geat, but one gear - fast and furious. You judge. Up by the weekend. You know sometimes companies give freebies when they like what you've done. D'you reckon Ferrari might give me their 170,000 pound GTB 599?

You gota try