It's pointless.Unavoidable. Despite slaving over my mac peering across the fields wondering how i'm going to cut my next film, on either side of the divide the din from the x-factor is proving a distraction.
I haven't heard much thus far. Am I really in a minority? But OMG for sheer songbirdness ( is that a word?) last week was good for me.
In a studio in central London, an audio specialists chuckles and fades up one of 12 buttons marked "drums", "vocals" . . and the rest.
When this track was first released it garnered such awesome reviews, you wondered what could better it. Well it betters itself. Marvin Gaye's" What's going on" stripped to its barebones in a surround sound studio is concert hall music personified.
Angels singing. Then slowly the mixer fades up thevarious data tracks, horns, etc. Sweet sweet music, but not to an industry last week clenching its first to move judgement on the retention of copyright past 50 years.
The reasons, livelihood of course but its also reminded me of a skewed debate at a digital media dinner. Call it the Mickey Mouse factor. Does copy/trade mark rights around this mouse encourage or discourage creativity?
Do current methods of retaining our creations spark new ideas or suffocate them? Is the mash up culture minor larceny dressed up as collaborations?
Me, I dunno.
But I am set on seeing how I get my paws on that Marvin track and . . . . listening to some real xfactor