New Wonders - Journalism could learn from.

She's tipped as the new sensation...

Yes, yes they say that about many people, but for my colleague who's recently been involved in signing John and Jehn, Rahel is the real thing.

But as much as I'm into posting about this about someone who's destined for big things, I'm also fascinated by the event that enables such creatives to come together and collaborate in a manner that can only foster greatness.

In Hammelburg Germany, every year a swathe of students from various universities across Europe, of different disciplines meet, supervised by business and music types such as my colleague Kienda Hoji.

There in a retreat, a castle, they go through a number of simulations to get students into this type of shape.

It's brilliant and inspiring and it's called MUSO.

They meet without knowing each other and then share, swap ideas and come away after a week richer in knowledge and ideas: I mean this song was put together overnight - wow!

Where's JOURNO: the journalism/videojournalism/story telling equivalent?

If you're a rainmaker who makes things happen then this must serve as a template for how to develop innovation in the collision of video and the web - away from the crunching of figures and dour outlook that only suits know best.

For the meantime lets enjoy Rahel - shot by Kienda

It's not funny doh!

Truth, I really couldnt tell you why I'm belly-aching except for I nearly coughed my guts out all because Duncan - photographer - wanted to snap away for his book. Mad !!

Radio journalism -South Africa

You hear less and less of the term Radio Journalism nowadays.

During my postgrad we spoke of nothing else. TV was for those flash lot, but radio was real journalism.

Has that changed much???

Anyhow, I'll be posting the doc First Time Voters which I made for BBC Radio 4 during South Africa's transition.

On hearing it for the first time in ages ( 10 years) I think it stands up pretty well, and in some way you can spot the influences in Videojournalism.

The premise was simple. I'd found a couple of alpha males/females in SA whom I thought would make great interviews. Back in London, I wrote an article for the BBC's internal magazine, Ariel.

A BBC producer ran with the idea and we got the commission - a programme I'd probabaly put in my own top ten of personal favourites for many reasons, not least it was also aired by the SABC - South Africa's pubic radio - on the eve of the election.

Like many many people I too believe that radio is a much more powerful and immediate medium than its sibling TV/video.

I go to bed with the world service and awake to Today.

Video [podcasts] may get all the attention at the moment, but getting to grips with the mechanics of radio packaging can go some way in influencing the VJism.

My evidence, after the BBC Radio 4 I had a welter of ideas how to produce VJ pieces- such as this one -and this here

18 hours - Social networking

Late last night it started with an SMS, which I had to honour.

A class mate had lost his wife and the troops we're rallying to pay their respect and offer whatever support we could.

The unwritten code of the school I attended, Prempeh College is such that you almost drop everything when a class mate is in a crisis.

The term that underpins us is Amanfuor. This may not mean anything to you, but in Ghana or amongst Ghanaians it resonates deeply of kindred spirits.

The word literally means: one of us. It is perhaps the ultimate in social networking, which started 30 years ago for me.

Our thoughts go out to Akasala - our old mate.

Today, this morning and with barely a good night's sleep - the clocks came forward - a different kind of social networking.

Breakfast at the Front Line Club with about ten others, some of whom I knew, organised by Graham Holliday

Graham's a freelance journalist and blogger based in Vietnam and author of Noodlepie - a much heralded blog about going-ons in Saigon.

If you've been here you need no convincing, if you haven't then you're missing a treat.

It is many things - a restaurant, part of the produce comes from founder of the Frontline Club Vaughn Smith's farm - and upstairs a social fulcrum for various debates about the media and personalities. It is everything you wish your media could be driven by Vaughn and co, no stranger to the news business and any number of awards.

I was here some two years ago as a panelist at the Kurt Schork Awards in International Journalism - Celebrating & Remembering the Unsung Heroes of Global Reporting.

Today it was wild mushrooms and toast, mixed with conversations about the decline of the news media.

Vaughan has some great plans, which he spoke about and I'm looking forward to catching up with him again.

The crux of the matter is that there are alternatives to the status quo but how do you gain firm grounding in these shifting sands: wo/man against the machine.

On our way home, Duncan, whom I have been waxing on about for the last couple of days made me the subject for his everyday people project, persuading me to lie down on the pavement and pose ???"@!££$

I could have said no, but Duncan could charm birds down from a tree.......

And from our own wee chat, perhaps reviving the idea of the IMVJ tomb I have in mind - a combination of media theory, a journey through my own fuzzy mind, literally; and how tos when shooting stuff that needs to break the mould.

The stories would include: Britain's PM John Major'd leadership election, working the townships of Soweto, surveying the wrecks of WWI ships in Gallipoli, First Time Voters and the United States of Africa- the series, working with Lennox Lewis, my experience within the BBC and the ideas that went into Viewmagazine.tv, yielding stories such as 8 days, 72 Hours and the Cube.

We'll see.

Multimedia new for old rope - repurposing or innovation

Alfred Hermida writes from a posting on his site which I have pulled out a section

This fails to recognise that the the Internet is not print, it is not radio, it is not TV. It share some attributes with print and broadcast, but is a medium in its own right, with its own strengths and weaknesses.

This requires a shift in how journalists have approached stories, adopting a multimedia mindset from the get go.

It is time to stop talking about repurposing and instead to start a discussion on how to re-imagine journalism.

In which I responded

Couldn't agree with you more Alfred on your last para.

Part of what amuses me is what might be called the sanctity of journalism.

That everything we need to know about it, is out in the open. That, there are no new paradigms.

At least that's what you could have made of it in the absence of the web and accompanying digital environment.

But now?

The repurposing debate mirrors my thoughts around the use of broadband: a new medium or repository for repeats.

Here's an exercise. If you scan a raft of broadcast news programmes [trad] media will have reported faults related to progress and the web with the medical profession, business, race, society etc, but very, very, rarely introspectively about itself.

Everything's alright in the house.

The explosiveness of race and culture provides an example of the fault lines of repurposing. Does MM news inherently provide added educational value, rather than exclusively reaction/comments to events?

Because if it does, that makes repurposing a wee bit difficult and you could argue more work is required for MM reportage compared with linear.

For instance, the reporting agenda needs to be widened and be more expansive, say, in covering news about the tragic nature of youth stabbings in London.

We'll read about it, watch in on the news, but hitherto we're not seeing much of MM's ability at big issue coverage.

The time, the crime, the preventional schemes, concerted programs, the sharing and pooling of knowledge between groups, what the police are doing down to community level participation and so on.

Meanwhile, you wanna do multimedia, figure out what you want, then fill in a form, shove it in the hands of the graphics department and say something like: "Yeah I want this to go swish and that chira thing you do.."

See, repurposing, and it didn't cost us much.

It may well be "journalism" - the very word itself - negates the sort of vision you imagine, at least at present.

The vested sums/ interests wrapped in the word, the politics/business surrounding it, means wholesale changes aren't possible.

We might blog, believe we've found a tool and fresh semiotic to broaden the news agenda and accompanying discourse, but adopted by many trad media it's funnelled into something that suggest inclusivity, yet how much impact has it on shaping/driving news? Does it almost amount to merely free content on your doorstep?

Videojournalism which I'm passionate about is another example of the repurposing debate. Is it merely about one person taking on a story from the idea stage to completition, replicating the model of TV news?

Or is it about a fresh stanza in story telling and widening the agenda, particularly when produced for the web?

The "journalism" in video almost makes it restrictive, because TV journalism does not court creativity, big "C".

"You wanna do docs or advertising mate if you want to shoot flash stuff", you almost expect to hear.

It was Richard Deverell in his former position before he became the BBC children's controller who said in a
project we were partnering at my Uni:

We haven't figured out anywhere near what to do with the Net with regard to the media... or something like that.

I still agree with him.

Maybe, just maybe, a solution to multimedia reportage exists outside the confines of contemporary journalism.

That perhaps the graphic designer, Flash expert, motion graphics artist, photojournalist, journalist, futurologist, Tech, business major - should all be sitting at one table having a conversation rather than the division of labour that has become so prescriptive.

But then that wouldn't be journalism would it?

Cheers David
Uni Westminster
& Smart Lab

By Product of a web site

David presenting at Apple talk - the event went well but afterwards was soured by a friend's plight


" Bloody hell, someone's nicked my bike".

We rounded off my talk to Apple - I was first there 2 years ago (link here) - on a bit of a downer ( bad news).

Duncan, whom this post is about really, emerged from Apple' s store, walked a couple of paces down the road to find his $1400 bike, which he'd attached to railings, had disappeared.

I felt so sorry for Duncan. If it's happened to you it's a bummer anyway. To have it happen to a nice bloke like Duncan who's the sort of person who'd give his last bit of change to someone in need is crushing.

Always happens to the good people eh?

Duncan, I have in a short period met two both extraordinary, is the someone you'd like to see down with a guiness.

He's a photojournalist and an extraordinary one at that.

He made his name - this is only half the story - getting pictures of Prince, Madonna, Elton John....

You name it he had the pics, but he acquired his lot in the most extraordinary of circumstances: he never went to a gig as a press photographer, always sneaking in with fans and finding a good spot to get his exclusives.

He tell's an incredible story capturing Prince at a gig, which I'll let him tell in a video spot pretty soon.

Then there's the Roling Stones in the early days of their career.

And then his knack for making the stars do things, they wouldn't ordinarily do: Elton John and Madonna together baring their chests.


The Anti-Snapper
Duncan would later sell his photo agency to the Press Association where he is today.

And the project he is knee deep in is what I can only call the celebrities celebrity- YOU.

Duncan is photographing and telling stories in his own way by capturing people.. Thata's it .. people. He approaches his subjects cold and intrduces himself, the rest is the art of human interaction and what any TV producer would kill for, opening up people enough for them to be so relaxed they tell you and do things they would normally only do with family.

And the stories he has to tell could fill a whole schedule.

Here are a couple he's kindly given me permission to show... NJOI NJOI NJOI as much as I am






Postscript -
In the post below this, I talk about the plusses of having a web site. Viewmagazine.tv has been extraordinary in that. And I continue to be grateful as well as inspired by the people I come across who have their own stories and centre of gravity.

The by product of a web site II

You're a writer, want to become a journalist, have film making in mind as a profession... could you think of blogger or put together a website?

First thing I say to friends, clients and students is do you have either?

Of course the world could do with more websites like it needs global warming.

There's enough, way enough you're saying, that phhrer another one.

But a couple of things.

Call it the long tail or the attraction of micro communities, someone somewhere might just knod their head sagely at your piece of artistry.

And then a friend/contact/lead you never had the day before is old news.

The ongoing debate, and it's still seething; some of the Masters students I lecture to, raise this as well - do you really need a web site? Do you really need to understand CSS and grid designs.

"I'm a journalist... I just wanna write".

There can, I believe be nothing more carthartic than having completed a degree and whilst gunning for that first job building something of yourself.

And, and if you're in the right place at the right time, and that's not chance by the way, but playing the numbers game, you might just impress that potential boss.

And with a whole load of tools on the web, you may not even want to go down the design/css route.

Tamer Al Mishal - a student last year, now a correspondent for the BBC in Gaza is one of my heroes for how to use your web site.

The purists may carp at some of the rawness and lack of design aesthetic here and there, but Tamer knew what he was doing and when you look at it you'll understand what I mean.

He uses the less accepted, but prevalent format of "tables" fo the build, but...

( This year we had online journalists getting deeper into CSS, SEO, RSS, and info architecture see London Outloud and London Alternative)

Apparently BBC bosses at Tamer's interview were so suitably impressed by his web knowledge, VJ skills, and rapidly changing media theory/ethics, and, and that he knew how to sell a story about himself ie PR.

It's shirked by traditionalists and the Brit cultural position is to play this down, but in a very noisy environment as today, you'll want to flag up something you're doing, even if it's a tiny weeny bit.

So

Videojournalism 1994

Found this made in 1994 which I have dumped on viewmagazine.tv.

It's about youth crime - something I have covered extensively in my reporting career.

It got me looking at my tape stock and there, betas, A1 tapes and the likes, are hundreds of video stories that are sitting idly around.

But hey what's the point I think looking resigned.

500 vid stories that's not overly surprising since at Channel One we would often cut two stories a day, so if you worked 250 days of the year ....

Anyhow this report sits between VJ for TV and Gonzo.

If it looks dark, that's because the gamma goes all pear shape when compressing so a few areas appear more dark than they looked when transmitted.

The camera I used was the Beta BMW300 - huge washing machine of a camera - appropriate if you're a designated camera operator but a bummer if you're a VJ with a Vinten tripod and tapes to carry.

Cost, between 15-30,000 UKP. That was about 45,000 USD. They would later come down to about 8000 UKP. Large part of the greenbacks went on the camera lens alone.

Did I tell you the story of a colleague of mine doing a really nice shot on a bridge overlooking the Thames and the plate on his tripod slipped and woops 1000s of pounds of camera fell into the Thames, probably there today.

Any how here's the link
VIDEOJOURNALISM 1994
Crime, Crime, Crime. If you go out to London today you'll be in for a big surprise. The first of three reports on London's under current crime problem.

Africa media - blogging live

Academics and media from around the world gathered at the University of Westminster to examine Africa's media.

I'm here at a conference for Africa Media organised by the Universtity of Westminster. I spoke about Vjism in regions e.g. Egypt, Ghana and South Africa.

Speaking now is an doctoral student from the University of Oregon Janet D Kwami, University of Oregon reflecting on the media and ghana.

later I get to see a fabulous doc. on Nigeria's film industry often referred to as Nollywod made by academic and film maker Jane Thorburn

Nigeria's film industy we're told is an incredibly well oiled industry, but it'a all rather haphazard.

It's got the audience in stitches in some part as the drama's really do ham up their acting. But underlying the hilarious bits are lucid and candid clips from some of Nigeria's top execs talking about the industry

A film cost about 2000 ukp roughly 4000 dollars and shooting can last from 5-30 days. They don't have a distribution system so as one pundit says piracy is a form of distribution, then the actual marketeers place a film on their shelf for short periods - couple of days because of the high turnover of films being made.

The skillset they argue is low, though many now shoot using videocams of one sort or another.

Right back to Janet's talk first.

Janet's taking us through a timeline back starting off at 1992 - a pivotal time for the free press because of a new constitution.

Yet ironically as she notes a criminal libel law, a colonial legacy meant that you could report what you wanted but not criticise the government.

However Janet goes on 2000 was the next pivotal period when the media was seen to play a crucial role in the election and the future government.

2000 is when the current government came to power.

Janet posits a case about how media pluralism is non existent, that a large proportion of the media is formulai - poltical jousting programmes and the likes.

She noted a problem was brown envelope journalism - the expectation when a journalist covers an issue they expected to be compensated.

Further problem areas highlighted by Janet include:

funding and sustainabilty.

the demise of community media - rural radio, community media is pretty much existent

gender and the media - 2004 was the womans manifesto in reaction to what veered on soft porn in some of the newspapers. The ethnographic study showed that woman undertook specific gender beats, while men ran with "big politics".

Her critical challenges:
She says a participatory media needs to be built allowing greater media expression
She wants to encourage citizen journalism - and here she gives an anecdote about filming an event in Ghana when some women approached her, marvelling at her camera and how they could film their own festivals.
New technologies, funding and professionalism and ethics are her "critical engagement points".

Corpsing on Radio 4 Today OMG

Friday Morning lstening to the radio whoah - something happens for me to google the bbc's newsreader Charlotte Green.

Charlotte Green joined the BBC after graduating from the University of Kent with a degree in English and American Literature.... and so on says the BBC website.

Today the normally professional and stoic Green has added a new stripe to her career and one for the BBC's bloopers.

A monumental fit of laughing-corpsing reading the news.

The offending item - an early recording of the first human voice, which sounded like a gurgle.

But Ms Green after hearing the audio, set on reading the next item, couldn't hold it down.

Wow, it was a wreck. She giggled, giggled some more then in a tidal wave just let go.

She was rescued after crawling through by the presenter James Naughty, who did not sound best pleased.

Oh dear, imagine the conversations off air now

postscript: Good that the BBC could see the humorous side of it and post this article about the event.

And finally

Ghanaian journalists in South Africa Vjing

Me and my big mouth.

One of my colleagues is one of the key organisers of this huge pan-African conference in the UK looking at the media etc.

He wanted me to chair something and I kopped out, but then a speaker couldn't make it and by proxy asked me if I could contribute.

"Your folks come from Ghana, don't they and you lived there"????

"Uh yes and so that makes me an expert?".

No, seriously it didn't quite go that way. I chewed his hand off and said:

"Shall I talk about the United States of Africa videojournalism project?"

The crux was taking 7 Ghanaian journalists to make films in SA and teach them how to shoot.

I get pretty ancee, as I did as the WeMedia Forum some years back, when people talk about Africa and media, and we're made to think they've goto take out secondary loans with the World bank to get their media in shape.

So I'll speak about that, then.

Right

One thing. I have just got back from this apple thing and can't write for toffee. so it's going to have to be a 5.30 start tomorrow to see if I can plan some presentation.

Me and my big mouth

Keep an eye out

If my memory serves me - not everything it used to be - then pretty soon the Telegraph's super young journalists head home.

12 young bright things were rigorously chosen from 800 applicants across the UK and then put through some pretty steep learning curves.

I did a stint with them and found them to be really nice and truly sussed.

For the last year or so they've been working in various regions; I bumped into one of them at the UK press associaton who said: you won;t remember me.. but ..

Remember?

I have got his card marked that he'll be an editor in less than three years; how could I forget him.

I'm keen to see what and how they transform some of the output of the Telegraph, which has built up a significant and loyal base in the US according to traffic we were showed.

And Yes.... I made a film of them. How could I resist? The first dedicated super journalists: videojournalism, print and multimedia for a national newspaper.

I'll find the blog one of them wrote for me. Wish em all the success. They stand to transform a time in newspaper media coverage and influence a generation behind them.

thank you, thank you

A big hearty thank you to the good people who spent part of their evening at Apple Reegent Street - listening to me talk about viewmagazine.tv and media agendas.

Abs appreciate your responses and the interaction of questions.

Hahaha I crashed my bowser, so had to reboot and filled in the time talking about my Mandela encounter.

Cut a long story short, Madiba walked over to the table I was on at a do in SA and we shook hands. I glanced over at the official photographer who shrugged his shoulders that he'd run out of film.

Digital.. bring it on.

I'll post one or two of the slides and sites that I mentioned such as Multimediashooter.com - where you can go and find an array of goodies.

The VJ platform has many facets: some shoot for TV, some shoot great lines, some shoot docu-style and some, me, shoot with film in mind backed by a hard narrative.

The Chatham House interview is an example - in which the dir of one of the UK's leading think tanks talks about what their research uncovered about the Britain being caught up in a terror siege.

Can you beleieve when they published their report, not a single news broadcast outlet focused on their range of findings.

The rubik cube using game theory is here as well.

So thanks once again and yes do email me.

And finally a massive thanks to Robin and the ultra cool people at Apple.

Don, one of my VJ shooters, shot a film of the presentation. We've got to pass it by some people so hopefully you should be able to see that.

I'm whazed!

It works

BBC 10 Oclcock news featured an item on plastics in Midway - David Shukman.

Yep it works.

????

Well why else would the studio go live to the reporter.

It wasn't a breaking story.

I can only guess they were trying out a new sat link back, because the feed from David was pretty clear with no drop out or buffering, which usually occurs with the portable sat-phone links.

Carrying pics over the net/sat without breaking the bank is the holy grail for comms and that's what Duncan Whiteman tells us his working on.

But for the meantime, we should expect some more breaking sat link stories from the Beep.

Inspiring Donald

Today I had an inspiring email from someone I've never met. Donald ( email below) was very generous and his warmth comes through his post to a story I made.

Donald writes himself: I'm a 53-year old full time student at UNT in Denton,Texas.....

In Ghana where my parents come from that figure is that, a figure, but its reference is clearer here and it leaves me full of admiration for him as he looks to video to tell his stories.

And No, if you've misconstrue my comments to mean anything but "wow".

A brief write up to the story, Donald refers, to is below


South Africa's Successor Generation

It is an incredible feeling as a journalist, sociologist, or an interested party to see change within a nation take shape before you.

The Civil Rights Movement of the US, Perestroika in Poland, Thatcherism and the politics of self - these provided genuine reflections of our changing attitudes.

Documenting them yields rough drafts; a snap shot of history, tempered by the achitect.

Nonetheless they are visual documents for new generations to ponder

Truth, I don't by any stretch think so grandiosely about this work or others.

But watcing this film - a version of which was made for Channel 4 News - is a strong advocacy for videojournalism and why we must persevere to tell non ageneda stoies.

More and video here


+++++++
Don Mooney wrote
I'm a 53-year old full time student at UNT in Denton,Texas.My instructor just returned from a NPPA conference in Norman. OK and it's really motivated me to grasp as much as I can about the craft,particularly before I graduate at the end of this year Stories like these are what attract me being a mobile journalist. Mostly i've done still photography but video offers another aspect of telling stories. Continued success! donaldmooney@hotmail.com damoonman.wordpress.com moonmam.photoreflect.com


David writes:
________
Dear Donald

You're inspiring. You're testament to the ideals of humility and giving it a go

If we could all but carry the same torch you have and enthusiasm, many of us will be better for it.

Your kind words are much appreciated.

This thing that we do is born of the same appreciation and love you have for photography.

And yes the story of young South Africans voting in their first election, then returning to them again and again, are the sort of stories that make some of us all sit up at night.

When I had the story the first time, it was 93. South Africa was about to turn the corner.

I'd left the UK because I couldn't find work and with a ticket I blagged from British airways, I found myself in South Africa, with one contact I'd come across in the newspapers, Alan Swerdlow ( I'm forever indebted to him).

Luckily he met me at the airport and through him I landed on my feet and would subsequently be amazed at the richness and diversity of South Africa, seldom shown on TV.

The young people I focused on, are the same people driving the country's economy now and I'm thankful they gave me their time.

Video is the sort of medium that allows us to tell such complex stories more easily.

Truth it's not as difficult as the pros would have us believe.

Please email me or skype me at daviddunkleygyimah if I can be of any help.

david

p.s UNT, NPPA, Denton? - better go check them on google LOL

Apprentice Comic Relief - ??

Is it just me or the sight of grown men being reduced to toddlers on the Apprentice's Comic Relief show was just cringey. Whreerhh! Kevin Mackenzie, MP Lembit Opik, and Hardeep

Inspired by Arthur C. Clarke

We all have virtual mentors - figures whom may have passed away or not within reach whose work we so admire that it plays a part in shaping our own.

And when you reflect on the impact of your mentor, there's most likely a scene or event that you can place yourself at which is your year zero of your fan affair.

Like many scifiers I was heavily influenced by Arthur C Clarke's writings. Oh and Marvel comics.

I'd bought a futuristic manual at a bric a brac shop, second hand which became a reference book to turn to, particularly when reading Applied Chemistry at university.

Clarke' super science had chemisty centre point playing an extraordinary role - the possibility of fission. For a novice chemist and dreamer like me it was manna from heaven.

Clarke's forsight about Sat comms, coupled with a few others I'd come across: E.M Forster's The Machine Stops and Vannevar Bush's As we may think telegraphed this bizzare unimaginable world with something we now call the Internet.

The Internet under ARPANET was some way off.

Science Fiction has done a lot that we can be thankful for.

Though thank goodness though they've stopped killing off the black dude in sci fi films after the opening credits.

I remember hsoting a radio prog a while back when this actor made a strong case analysing Sci fi flicks which in the first half,the black dude goes, then the woman - though I didn't know at the time, but the censors would not let you show a woman being shot on screen or suffering a fatal death.

Right where was I....

Yes, so today this morning I came across this; a neatly typed series of letters in a book I'd written to someone with a strong underlying pretext . The date: Tuesday Dec 1990 8:13 PM. .... the spoils of youth eh?

Dadawoman pondered to peer at the universe from the hatch of her helius II shuttle. It was peaceful in he pod. The flickers of light and irredescent flames from distance stars made her recall memories from the parrallel universe thirty light years ago.

She had met mongoji-arantula and shared quark-filling moments with his amber. They had been warm; the light they bathed in as they emerged under the amber inducing rays that brought goose pimples over her thorax.

It seemed like yesterday, when she was caught in the cross winds; her life turned sideways by her decision to pilot a solo mission to the Agorra.

Faustian-kye had inadvertently colided with her pod. She toiled to keep her hellius under control.

It appeared at first she would collide with the planetary particles. She wracked her inner self for what seemed eternity. She could have blown the hull gasket to lessen the gyrations but that would have meant sacrificing toto, her pet cheecho.

Her thoughts were truly symbiotic. Cheecho would stay whatever the costs. It was a rare species to be celebrated from the Agorra triangle. Warriors fought to the bitter end for a chance to return with one. She had acquired hers through exceptional circumstances.

{ EDIT 4 PARAS}

Dada gave a final burst to the fuel injector; her videodell having captured her mood asked in seminal tone:

"Dell 1 wants to know why Dada, strong in faith, looks so sad".
"There are somethings even a hyperintelligent computer like yourself dell will never understand".
End ++

If I ran an institition I'd hold a class called "Dreamers!"

CAMP VIDEOJOURNALISM.. CONT.

David - what has been the reaction to this melding of Solo VJ'ism and this new language of cinema - especially those entrenched in the stodginess of traditional journalism?

Does this new melding elude to the idea of rules are meant to be broken - and thus a new way of reporting is born or is it to appease the masses for a softer, more entertaining way to consume the news?

This may be the catalyst I need to get creative after a dry spell this winter.

Warmest regards

Cliff Etzel - Solo Video Journalist


++++++++
Hi Cliff

I can't generalise as you're always going to find resistance in news making: it has embedded rules and what nots for so long that established organs are likely to continue as is, until. . .

Television, film, painting - they're all living arts.

The geneology of painting has travelled through Impressionism, Expressionism, Dadaism, Modern and Contemporary Art and that's just talking about western models.

Each time one of the forms found public space it had its detractors and supporters.

Cinema - likewise, and that's where many TV practitioners borrow heavily from.

Eisenstein's Battle Ship Potemkin - 1925 is one of the most heavily used "canvas films" indelibly influencing a generation.

Canvas film = deconstructed with style and shots used in further cinema.

Film techniques absorbed by TV such as linear causality and parallel narrative,Argentine author and film critic Jorge Luis Borges was talking about way back when.

I'm digressing.

News is documentary or film verite, but the tools used in collecting images are no different than the painters' brush.

As we become more televisually literate, we demand more, because a lot of what we see looks homogeneously the same.

Our language becomes more sophisticated. Our visual acuity becomes more enhanced.

A telling example: my mother and many others find Bourne's editing style confusing. A new generation need not refer to any visual dictionary to understand exactly what's going on.

The sacrosanct argument is you can't embellish news. But we do that anyway by way of subjectivity and the person/ organ informing you - albeit without design news execs will say.

( Don't worry I understand the argument of news making - though there needs to be a contemporary debate about it)

What Videojournalism or Man with a movie Camera or even IM6VJ - Intergrated Multimedia 6 Videojournalism offers is a new lingua franca.

It's no different to the camera in the hands of a skilled director e.g. Abbas Kiarostami.

The web as a mega broadband pipe and interactive coding has more to give - and its getting it in terms of "the new painters", solo reportage - expanding the agenda and seeking new discourses.

Consider this for instance - call me naive - but given our many shared problems, why do we still use TV news a divisive medium.

Sorry but I could fill hours talking about this.

In the end something that has never been done, awaits to be done. Many might throw their hands in a resentment, but that won't stop the many others looking to make new meaning of the tools we possess.

p.s Incidentally this reponse is not to say factual TV hasn't undergone change.

Two pivotal points in my career

1. BBC Reportage late 80s - early 90s which introduced MTV reportage. Yes you needed a crew, but the gene of Reportage would find its way into many BBC docs and factual programmes e.g. Here and Now, Black Britain, Panorama.

2. 1994 World News Conference - a Canadian graphic designer refines the split graphic interface that would become a hall mark of CNN.

ps2. Breaking the rules? No, not for the sake of it, but the rules of TV were set up tp enable new comers to the medium to make proficient TV.

Don't cross the line

Rule of third

Don't goldfish

Shoot with the light source behind you

Don't have your sots fight the music

They're guidelines, that's all they are.

Talk soon

CAMP VIDEOJOURNALISM

CAMP VIDEOJOURNALISM from david dunkley gyimah on Vimeo.

Robb Montgomery, founder and ceo of visualeditors.com and I knocked heads.

In Cairo for a week we filmed a series of meetings, deconstructions and talks with editors that will emerge as the film CAMP VIDEOJOURNALISM

CAMP VIDEOJOURNALISM is a story about new areas of storytelling. Robb has huge amounts of newspaper and web experience as a visual editor with a background that includes The Chicago Tribune.

As a piece of entertainment we hope you enjoy it. As a piece on how to it may have some currency.

We were due to present at their annual media gathering - a huge affair - but before then we decided on creating a VJ piece and the accompanying "making off.." which would demonstrate widening the news agenda, uncovering fresh areas of what constituted news and new techniques in news making.

There's some drama as well, when Robb falls sick from a bug and I'm constantly, to my amusement, spoken to in Arabic, before a hotel staffer insists because I look like a Nubian.

Don't ask.

Then there's the states's state-of-the-art TV, which really is something and the management's desire for videojournalism, which starts off, that is the presentation not quite how we thought it would go.

The trailer above and playing on viewmagazine.tv will be deconstructed for my Apple talk on the 27th March at Regent Street, 7 O'clock.

It combines the use of Final Cut, After Effects and Live Type - which I use to create film titles using key frames.

On viewmagazine.tv I have dropped in a 960X 408 file, originally from 600mb down to 8mb for swift download

Advanced Videojournalism

In Advancing Videojournalism, we play around with the subject-verb/ object in visual grammar, which enables us to shoot with the necessary focal narratives and cut aways in situ.

Effectively how to shoot to edit and identify the film's internal tempo and how to move it along by directing around the shoot.

In the last three years there has been a frenzy in video used in journalism.

But how significant has the emergence of video news making been to the established network news agenda?

It's a difficult question to answer, but what seems apparent is a general outlay of video skills have emulated television's stanza and its news agenda.

You could argue there's absolutely nothing wrong with that.

I had an interesting discussion along these lines with a senior executive from the METRO - the free newspaper.

If you're at Apple, say hello

Dudes wot's going on?

Wot the P**** FLOL