FUTURE STORYTELLING

David Dunkley Gyimah at Aggrey House Prempeh College I can see myself now, getting ready for lights off 9.30 p.m. and quietly turning th...

Prepping on late night food for the Arab Media Summit in Cairo It's 11.30 pm, we've just stepped of the flight to Cairo to find...

Albert Maysles with David Dunkley Gyimah H ow will audiences access the future of the web? I approached this using trend analysis, quali...

BangBang Club - a must see film S outh Africa 1994. Elizabeth Ohene, the South African correspondent for the BBC World Service's Afr...

The BBC's My Story - amazing stories, but the semiotic even from the above picture suggest we still can't hear what you have to say,...

Despite a digital broadcast revolution Blacks, Asians and Ethnic minorities (BMEs) still struggle to find a job in UK broadcast journalism...

Making a videojournalism story. If videojournalism can do anything, which involves readdressing our notions of what we think, and what is, t...

It looks like something out of youtube, which in itself has its own aesthetic, but videojournalism film making is all about different forms ...

Before he left to join google, Newsnight's Peter Barron gave me this interview. The write up goes as follows: "With ad revenue in f...

Sorry normal posts assume next week as right now I'm buried under 7000 word chapter for my thesis, plus a film to demonstrate the new re...

The art of cinematic videojournalism, David will be revealing his latest piece of work and the strongest link yet to videojournalism irresis...

We all have our tales for recounting our meetings with celebrities. One fine afternoon, some years back, my agent, yes those were the days, ...