Look Back - rummaging through Viewmagazine.tv

A look back at some of the items that have stirred me/viewmagazine.tv to thump our crate at our own little slice of cyber speakers corner.

For the next two days viewmagazine.tv's front page will have its front face changed more times than ... than.... Oh Gosh who can I not libel.

This post will be updated throughout the day.

Since the morning it's been an IM6 - Interview with Chatham House Director from 2001-2006 that took centre stage.

Then a a report: Is Television Killing the Arts?.
Commentary and viewpoins from punters down at the South Bank Centre talking about TV's relationship with the Arts

From 2 GMT onwards be a multimedia Videojournalist - promo from Cairo in the style of Bourne - er sorry it looks mothing like it.

From 5 GMT 8 Days - the film about the UK's first journalist to become videojournalists using the Press Associations ground breaking scheme.
To date it's trained scores of newspaper journalists

Then sevenish Robb Montgomery and David in Cairo with a podcast that has us gabbering on about videojournalism and visual storytelling.

Penultimate change playing a little flash diti which bookends to How to Podcast - similarities with radio using experience working at the BBC World Service and the BBC's radio station for London.

And finally for the day - how do you become creative:
"....While the arts has come to be recognised as a repository for the creative thinker, joined by science maths, and architecture , it's not a word associated with journalism.."



Meanwhile my teenager nephew is on habbo. He's in this pic with the red bandana- just gate crashed a party VIP, he says. It's second life of sorts for TEEEENS ( somebody's going to scream now and say "no it isnt!)

He's just off to a club called the majestic which I'll show some pics later.

I've just asked if I can do a profile of a hip teenager, though "hip" yurk I'm showing my age.

So profile of an alright teenager

Ok - top five tunes

1. Grime
2. Grime
3. Grime
4. Grime
5. Grime


Top things to wear
1. Combats
2. Era hats
3. Air Max 90s
4. Hoodies
5. t Shirt


Top thing about the opp sex
(he's shy)

1. Dunno, he says

Top things about grown ups
1. Don't listen to what you have to say
2. That's it basically


Top thing about Habbo

1. Meet people
2. Have fun
3. Teenagers only
4. Make your own room
5. Doing what you wanna

Lets give it up for Omar Tackie -

Noooooooooooooooooooooooo

Staring vacuously at the hidden pud tucked behind the marg in the fridge, which family did not see, and thinking... Err Naah.
( Fridge door closes)
(light on Mac coms back on)
And another post is completely out of the question - get a life boyo!
Anyone for scrabble? Few Friends in living room.
(Everyone staring at me vacuously)
Feel Bourne Triology coming on...

Why video stories work VII

Perhaps one of the most gripping pieces I have produced recently was talking to Rachel North.

Gripping has nothing to do with me the producer but the person being interviewed.

There are many technical reasons, as opposed to its creative elements, why video works and it can sometimes be taken for granted.

If you watched Brit TV features in the 80s and 90s there was a huge safety net for why video/TV should always work.

I recall so vividly how at BBC Reportage (1992-93) we would:

1. Bash the phones - searching for stories/ contacts- often sparked by the newspapers.

2. Search approp. contacts and literally write up mini books about what they said.

3. This would be shown to an editor who would drive us into the area she/he felt yielded good SOTs ( sound on tape)

4. Go out and shoot - looking for those same sots.

5. Come back and have secretaries transcribe.

Point 5 will perhaps bring on the biggest gasp.

From 8 pages of transcript you'd comb through picking out those vivid sots.

"So as I looked out of the window I felt a pain. It was sudden, and then I started to bleed. I blacked out and then I'm told I lost all time and when my mum came home and saw me, she took me off to the hospital and there they said I was lucky to be alive, because I had accidently drunk poison that should have killed me. I'm not sure how that happened, but I thought at the time it was just a stomach ache....


Now circa 92 what might have been edited would have been
(1)"I felt a pain. It was sudden, and then I started to bleed. I blacked out..


(3)"I accidently drunk poison that should have killed me"

With a voice over supplying the bits in between.
Jane was discovered by her mother x hours later. At the hospital doctors were amazed she was still alive -- insert (2)

The system worked because the programme had a sizable budget to play with, and accuracy rather than speed was the driving currency. ( though the two are never tradeable)

But what people said suddenly became interesting in another guise; nuances, choice of words, semantics.


Pushing Video's sot content
Yesterday, BBC local news led with an item about the tragic death of a policeman, but started off the piece saying the commander of blah blah police force has sent his condolences..

Uh! Yes this might be news, but not as the lead in this case when scant knowledge has been said of the event.

Similarly, journalese e.g hhospitalised, medicalised truck - heard that one yesterday - and "a car has collided with a tree" take on new meaning.

But I digress.

Turning over a news report or feature piece in the hustle and bustle of 24news accords no such time luxury, so you learn to drive a live conversation homing in on the good bits, waiting to further explore, and intervening when it goes flat to pick it up again.


Do all the hard work in the field
Cutting down time in the news arena before even getting back to the edit is one of the keys to help you unlock Gonzo VJism.

And added to that the conviction of knowing what your piece is about.

If you've got the SOT, why waste any more time. Leave. Say thank you.

I'd pursued a member of parliament all day, and when he agreed to an interview as part of a press corp, I only had two questions for him.

"Do you intend to resign... why not....."

He was a bit perplexed: "Is that all!", he quipped.

I ran all these together.

I didn't see the point of a fishing expedition asking 30 questions when I only had space for 40".

Average time of a sot depending on your territory 4-8 secs, 8-15 seconds, 15-25 secs, 25-40 seconds, though clearly if you're in the latter then you're verging on docs.


Christmas Game

It's not a bad pasttime game.

Close your eyes and see if you can pull out the sots of your partner or parent talking to you.

Nice for Christmas too if your mum can finish a five minute oratory with you staring down at the Christmas pud and still know what she was talking about.

"That would be Mr Bell, mother... you know Mr Bell, that's who you're talking about..the one with different sized feet"

Listen out for the dip in intonation (break). That's the edit point.

Then if you can find any of Margaret Thatcher's old tapes (youtube) try it again.

Thatcher it was rumoured knew how to control her inflexions so effectively she kept on rising in tone until she finished her point.

Real bummer to edit as it sounds incomplete and you're forced to take the whole 40 secs.

So the interview below is an example of a quick knock together video that er works: Rachel North, who survived the tube bomb blast, needed little intervention.

Let her tell the story - that's the best part of radio as well.

Animated voice, paints pictures with words, and speaks in 15-25 second chunks.

Whoops! 30 seconds gone, lets pick up the inflexion to arouse secondary interest.

Three different cut aways drove the visual narrative.

Time taken about 10 minutes for the interview in which I originally posted with perhaps one edit.

Here's part one - 1.40 odd seconds for part's two and three you can find them on viewmagazine.tv here

Have an original idea - the people you love to hate

You know them, they quote the Bard, Joyce's Ulysses, and claim to have understood Rushdie's Verses, even though they'd never read em.

You shoot them daggers eyes and mumble something like F@£%%$£ and p^%**.

I was working at Channel 4 News at the time, when The Satanic Verses was released.

Ok, Ok, I'm a simpleton, but I didn't get it.

There!

But then in yesterday's post I mentioned: Alan Kay, Ted Nelson and Vannevar Bush.

And anonymous posted a comment:

"The difficulty with this article is knowing which part of it to leave out of a submission to Pseud's Corner...."

He could have been refering to other areas.

But I posted a reply agreeing in part...


The trouble...
The issue I have with the opening para of this post is the unfamiliar names.

Well not entirely, if you get what I mean, but the bit that forces one out of their comfort zone so much that a whole piece becomes inpenetrable can be a pain.

Then there's the equally sinful quoting said figures in succession of each other to support a skewed point.

But worse is when you realise aftewards that the author hasn't said anything worthwhile. They've not had an original thought.

Yahh!

The last one gets me, cuz whilst I believe a lot of what I like talking about is rooted in the past: cameras - degeurotype; the web-memex, it's tiring hearing all that pat again, if you've heard it the first time.

What I like...

What I like is a repository of ideas discussing the new new things, with context, but with a fresh take.

Furthermore I'd prefer if it wasn't so abstract: Mathematics and Multimedia, getouta here.

Though... though... there's a wee point in this: "Wanna know about water don't ask a fish"

Paul Brannan, BBC Exec would make me laugh when I'd extend an invitation for him to pop over to the universty to talk to students.

"Oh good", he'd remark, "I might be in for some original ideas, which I can lift and claim are mine".

The last bit he was joking about.

But original ideas.. yes

We're for ever lifting ideas and remoulding them. This very post is here courtesy of anonymous, but I guess it's the level at which we quote chapter and verse that can become irritable.

Rework ideas, rework em.. that bit at least i hope showed its crown from yesterday's post.

In the end it's that mantra that keeps coming back and that which you feel impassioned and passionate about.

K.I.S.S.

Verbosity is...
I had a teacher in the boarding school I grew up in Ghana.

He used to say "Let taciturnity and serenity be achieved in this architectural edifice".

Effectively, be quiet in the classroom.

We'd never laughed so hard, but soon stopped with wry smiles when we discovered he meant it. That's the way he spoke.

Can't say I have ever quoted Joyce et al in an article, and never will, but the idea of tieing up different thoughts to make a point stick is the stuff of PhD thesis, which ( hick) puts me in a wierd space or not according to the last piece.

But this post/blog is no place for self aggrandisment, but as I've said a notebook of scribbles and ideas; brain dumps, a sort of functional Tourette's Syndrome.

But it's also about engaging and truthfully sometimes it (post ) works and sometimes it doesn't.

And when it doesn't that's when the fun really starts, because that forces you to ponder, rethink those ideas, refine them if possible and perhaps discover something new.

"I exhaust my ideas so I'm forced to think of new one" I claimed in this 60" promo.



"Yeah I can hear you, but not rubbish ones mate" LOL

Ideas..that's why I write this blog for that thing.. that thing.. ideas.

p.s. Yer can't take yerself too seriously

So where would you like to be in 4 years time - redux

"So where would you like to be in ... say 4 years time?"

The clocks ticking away. Your palms begin to secrete even more. You're sitting opposite 3 figures. One's fidgetting with a pen, the other gazing at you as if you're about to confess a crime, and the interlocutor is waiting.

"I would like to be an editor"

There's a pregnant silence.

1 MINUTE EARLIER - DEJAVU
"So where would you like to be in ... say 4 years time?"

Clocks ticking. . .

"I would like to be a foreign reporter

Silence. .

OK PEOPLE CAN WE SCRUB THE TIMELINE BACK EVEN FURTHER I'M READY THIS TIME.

'So where would you like to be in ... say 4 years time, David?"

I don't ****ing know. What the **** do you think I am a futurologist. If I said I wanted your job. You'd think I was an arrogant a***. If I pitch myself any lower, you'll think I lack ****ing ambition, so where do I wanna be in 5 years. Truth? Doing something I love doing. Being successful at what I do.. Yeah, not because of you. But because of the hard work, I'm going to put in and the law of averages.

SILENCE

I walked out of the interview room thinking that's what I would really like to say, but I'm weak and feeble. My final answer was average. My clenched fist almost made it past my oesophagus.

There is ambition; what we love doing; drive; bloody mindedness; and the law of averages.

A loose assessment (1.2.3.4.5.6.7.8 seconds, there!) leads me to a conclusion - how we so easily misconstrue and become determinants at what they mean.

Ambition is good in the US. In the 80s it took on a more aggressive persona: "Greed is Good"- ala Wall Street's Michael Douglas' character.

In the UK ambition is to be left in the fridge with the half used can of beans. We all love doing something and working in the media has a high "I love my job quotient". But here too there are tacks on the floor. How much do I love you to want to stay on late and impress the editor who will remember my radiant chuckly reply when I spoke of drive, and combed my thoughts which screamed "Bloody mindedness".

We all want success: to be the best postman, most accomplished burglar, and a good journalist. And we'll do what we can legally to get there. But we're lumped into an ecosystem which rewards the antithesis to that we deem good character.

B****... HE IS A RIGHT W******
My diary shows I uttered those words possibly 1 trilion times in the beginning of my employ. Well actually I didn't but I must have heard it amongst the small gathering around the coffee machine.

There can be few professions in the world that are so personality driven, residing on ego ( in varying dollops) and insecurity.
And it's this unhealthy mix that is in part the daily catalyst to spring step to work to the sound of music, walk, then drag feet by midday.

But we love it. Many of us wouldn't do anything less. This is no place for shrinking violets my boss told me. Er what did he mean? I had no idea what he meant. Translation, if you can't shout about what you do, then no one will do it for you. Actually the more succesful ones are more tactful about how that's done. Oh yes and at some point you're gonna be loathed. Fancy becoming a manager?

Email 13.17 Sunday
As you know Jim there was a slight problem with the edit that carrie should have dealt with so we went back. Did you see that item on Ar** irrigation on Newsnight's newsbelt?

Inference: The sods working late again, post 10.30. No 11 that's when their newsbelt's on. Gosh how ambitious can you get? And look at the time of the email. **** off and die.

In part, the green mist could quite easily descend on me on these ocassions. But what was it that I/we felt envious about? Them or my lack of that killer "et tu brutus" stroke doing the same thing. I didn't want to

The web cohabits this wierd and wonderful world of contradictions. More so because of our abilty to interact, scrum and thwack that arrogant journalist/writer back in the face. Particularly joyous if it's the paper or journo you love to hate.

But as the new superstars of the web are showing, the old personal human traits so prevalant in the media are showing no signs of abating. One major differences is that this new group have had a rather meritocratic rise in blogospshere based on you, I and my pet dog sparky who would bark when he saw Amanda Congdon on Rocketboom.

No where would you like to be in say years; no where did you go to school; no er, we already have a person with a disability, ethnic background, er whatever in the workforce. This time it's me and you. Our blogs, the quality of them, our youtube videos, flick pics, sniper-edge pods say more about us than anyone could.

Yeeeeees, (i'm squirming) and No (very abruptly !)

Jon Snow on my reel produces the biggest reaction to this schizo-mania. Those who know me, will probably have guessed what it means, that when I sit down the chairs don't illuminate. Of the student's I know and have had the pleasure or working with, I can't imagine a more crass intro walking firstly into a lecture. Not because of what Mr Snow says, but by actually believing it.

C'mon...

But the Snow effect, a visual CV, the equivalent of those pithy comments for the paperback you're planning is a proxy vote of sorts, a short cut if you like Snow to cutting the author some slack, a grandfathering ping

Grandfathering?

Three pieces of advice passed to me, passed on. When considering a career into the media.

Find yourself a grandmother/grandfather - a mentor.

If your dad happens to be Michael Grade, mentor? They'll be coming to you? I was once paying a brief visit to the home of a very powerful TV exec. She sat me down with a cup of tea and begun to tell me about how I should work hard to get where I wanted and then segued into a tale of her daughter.

"Gosh she works so hard. She's just finished two attachments and even the Managing Director's are calling asking if she want to come back", she said gushing.

Yep, musn't be judgemental. her daughter probabaly did sit down to Gustav Holst's The Planets in Full Score, but it didn't seem illogical that the reason also her daughter was being pursued... you get it!

But grandfathers/ mothers have a place, and self belief as well. One of the professions I advocate to anyone/friends e.g. journalist aspiring journalist is to teach.

Because a) I'm finding I can shortcut all the ***p I went through by hopefully passing something on
b) the first time you stand in class you're as naked as the day you were born. If what you're saying doesn't make sense, watch out. Furthermore, there are no airs and grace in the lecture just what I refer to as the cauldron.

Everyone is equal, our respect reciprocated. It's an assymetric coms line, where often the more you're pressed, the more you learn about yourself. The more you learn about yourself, the more you want to push further.

I worked at so many outlets in my broadcasting career that I lost touch, and while a quick flash at my CV may look dandy, it's in part a card trick; huge highs followed by lows. In the UK in 92 I couldn't fnd work in the UK, so relocated to South Africa, ploughing townships and the most aweful places for a story. In 97 I emerged from an agency disillusioned and then like everyone else probbaly goes through badgered enough people to get work, in 2002 having dusted down the last year's general election, I begun to question whether this is what I really wanted to do.

And then I had a idea - viewmagazine.tv though it wasn't called it then. here's an early incarnation if you're interested.

The law of averages says this it's a big numbers game. The 5 percenters. The more we play in the field, the more we're likely to get the ball. Success is relative. Hah I was once touted in the Evening Standard as some doer. What i want to do is pay my mortgage. The law of averages says in this ecosystem where there's a lot of back/foreground noise, find something you're good at and keep doing it. The law of averages says it's a big bell curve, that only a few will make it, a large percentage of us will do ok and a small amount will... well.

The law of averages says those who work hard will be rewarded and the best reward is that which you like doing, whatever that is.

So where would you like to be in 4 years time?

An International multimedia Correspondent

Say Jim does HR have anything on Multimedia Correspondents?

Flashback to an Assassination

David recalls flashback to the death of another giant in Asian regional politics, PM of India Rajiv Gandhi, 21 May 1991, whilst working for the UK's largest Asian programme.

I can't remember the precise time; I should really, but I remember it was time for us to wrap up the programme.

And then word came in from one of the production assistants that Rajiv Gandhi had just been assassinated: 21 May 1991.

It was a hard thought to swallow.

But we stopped and looked at each other.

Mike a popular presenter of Indian music, Deepak and a few others held their breath.

And then it was confirmed.

BBC Radio Leicester with one of the biggest Asian audiences back then would be demanding we filled the news, but the main newsroom was away; it was past 6 O'clock and the skeleton staff behind had never managed a rolling news programme.

On that day we pulled out all the stops, tempered by staff getting emotional, but being professional.

One interview followed another; the next shift presenter carried the prog and so on.

At times like this of course its about the person, (Bhutto) the family, the bereaved and so on.

But as I listened to the news waking today, I caught that feeling in the pit of my stomach, how another suicide many years ago had called on people to rise to the height of professionalism and deliver fact and sturdy commentary to at least help ease some of the confusion to the what and why, even though nothing makes sense at all

A Sombre Affair - Bhutto in pics

A very sombre and deeply moving affair, Visual Editors captures the assassination of Pakistan's Benazir Bhutto as reported by Indian and the International Press.

The Mathematics of Multi Media News

David reflects on an article written about broadband

"Multimedia in my view, is not an invention but an ongoing discovery of how mind and the universe it imagines ( or vice versa depending) fit together and interact.

Multimedia (MMs) is where we have always been going"

So said William Gibson, the author who has done much to guide our thoughts and ideas within cybermedia.

The word he changed the world with was cyberspace.

Much has been said about MMs origins; many claiming it started with television, a multi-sensory device; or even cinema, a system of moving images so radical that when a train was first shown on screen - people physically cowed for fear they would be tramelled.

Better still watch Eisenstein's Revolution: Battleship Potemkin for a simply unsurpassable piece of multimedia theatre (Cinema).

You could even argue hieroglyphics present a good case.

The dispute over when multimedia started if it ever did, going by Gibson's assessment detracts from one of the central arguments of where it's going and what it can do.

However I'd also acknowledge that a source, an origin, provides a platform for advancement.

Ted Nelson, a man so ahead of his time theorising open systems that the web should have been his invention commented on innovations surrounding the new digital economy of hypermedia.

That even though CDRoms kiosks, DVDs and the rest were innovatory multimedia systems they were closed, unlike computers that allowed an open transaction and flow of new ideas.

This would later lend itself to Berner's Lee nonhierachical structure and open protocols.

This is not a closed argument (I wouldn't dare) but it strikes me that in the pursuit of ongoing discovery in an open system the status quo of closed TV reports, cinema etc represent an ideal which is so passed a paradigm shift quotient that 2008 awaits to be a truly exciting year.

For me this harks back to an earlier article (:() how to use the web a year ago Broadband's capacity offers scintillating innovation, for Journalism.co.uk

I'm looking at that now, proclaiming "ungh!"

Vannevar Bush 1945 prophecy now
Re-reading Vannevar Bush's seminal essay circa 1945 which would cause huge excitement in amongst others the science world, one begins to marvel at the present.

Bush, Roosevelt's scientific advisor was a genius.

"Consider a future device for individual use, which is a sort of mechanised private file and library. It needs a a name, and, to coin one at random, "memex", will do."

In 1945 Bush had already seen the web.

But something else to take from that period onwards, that all the major advancements towards this evolving multimedia platform involved an array of disciplines: scientists, engineers, artists and poets.

Journalism, despite its own internal brilliant advancements was just one of spokes.

It should frankly be of little wonder that today it is technologists, dramatists, and engineers who are pushing at the seams of multimedia.

And that multimedia within journalism itself is so ill-defined

Journalism ~ writing for a journal. Was there ever a misnomer for our century?

In fact multimedia journalism is the imaginary media of its age.

Whilst mathematicians were comfortable with Natural Numbers, Integers, Rational and Real Numbers, how might they deal with numbers whose square root was less than zero?

Put simply -2*-2=4, so what could yield the answer -4?

Mathematicians found it in a fifth quadrant, imaginary numbers (j or i), so the square root of -4 is 2i.

I had fun teaching an eight year old nephew this over the Christmas.

If anything from a scientific POV, it illustrates an ability to adapt (though thoroughly brutally in the science world) and address varying circumstances when they arrive. For instance solving integration and differential equation in physics.

In journalism we're being made privy to far more information than the present paradigm can handle.

Spatial context gives us location and timeline, but we insist on a 2 dimensional approach of what, where, how, why and when.

Interactivity offers us differential windows into a story, but we adamantly pursue a linear exposition, blithely ignoring other "less important".

Multimedia gives us many access routes to create as well as eke out layers of knowledge, but for its use with video we deign it should be closed.

Here is the 9.O'clock news and if you don't like it well, sod off.

Alan Kay said in one of his essays recounting McLuhan's Understanding Media [1964) that McLuhan's claim about the profoundness of the printing press was not merely about making books available but "changing the thought pattern of those who learned to read it".

Could it be for both those who read and those who teach multimedia we'll have to ride an even bigger crest than that of 2007?

Could 2008 well turn out to be the year when we not only break out from quarantined eco systems of say video news, but embrace a different thought pattern of presenting the narrative?

See related article on video hyperlinking at Viewmagazine.tv which was featured in The Economist

Mike Jones pod on open and closed systems - extremely informative

Amid Christmas, Wii, Multimedia, Soul and Food -unk

And then there was Christmas

Three hour journey on the MI to Sheffield and beyond took seven and a half hours - Roadworks -arggh.

Then the hood of the people carrier came off - &^$$^$

But the two days have been sublime.

Tucked in the attic in farm country we listened to the original recordings from this thing called "records" from labels such as stax, King, and Blue Note.

Donny Hathaway - Someday we'll all be free
Marvin Gaye - What's going on
Bobby Womack - I don't know what the world's coming to
Lee Morgan - Sidewinder
Esther Philips
James Brown and the famous Flames
WiLson Picket - Hold On I'm coming
Aretha Franklin Dr Feelgood

One of the wrappings happened to be a Wii - I will not be distracted, I will not be distracted.

But the best bits included:

Reading some of the original seminal manuscripts of Vannevar Bush, Ted Nelson, licklider, Weiner, Alan Kay amd Marineti -behind the Futurist Cinema.

It was one epiphany after another.

That posting with added fibre soon - a refreshed outlook to multimedia.

Ladies and Gentleman one piece of news that I think we'll have fun with includes an interview I have been pursuing for a while which now has the green light.

It is the interview I feel you'd like to hear from one of the key figures working for that leading media house talking about the new things they have planned et al.

And over the days/ weeks before it, a plan on how you might share in the event.

Meanwhile, more on the man who by this time next year if he gets the funding he so desperately wants will have changed the media industry in a way that will be cataclysmic.

We spoke a couple of days ago and he's pening an article for viewmagazine.tv

He reminds me of that Gene Hackman character in Enemy of the State.

He is one of the world's leading encoders, able to write realms of raw code without error.

But if you google him he doesn't exist.

However evveryone that has had a whif of what he's doing is in awe and that includes one of the world's most powerful media moguls who sent him a personal note.

This is truly, truly big.

Meanwhile a recut to an earlier film I made in which I held back an aspect of the film, which now I can tell, and I figure it may just make you laugh with amusement.

All very cryptic.. but sorry, seven hours driving with no sleep the day before, I just wanted to get this of my chest.

See you tomorrow

Mr Man - tracking adam and Eve

To you and me he has no name.

A silhouette which we no sooner would ignore; more emails to read.

But Mr Man has an identity constructed to sate the digital appetite of many apps.

On Facebook, he's posted his birthdate (unwise, but there you go) and where he lives; his circle of friends add to his digital DNA, and then the books he reads colour in his background.

His cinema preferences and blog posts scoured over by marketeers is cross referenced with other social networks he belongs to.

Each fabric, thread of information adds a layer of information.

We know he lives in New York and using his name and available public data we can track his travel movements.

Each time he logs on, they're logging his web trail - how long he stays on, what he talks about.

The marketing team attached to Cloverfield- JJ Abrams secretive film project have seen his comments and chat-history.

They've crossed referenced with a google index they've invented matched to a trust index.

He knows his films, science fiction e.g Children of Men, Alias, Mission Impossible, so he gets a free review ticket through the post.


Do you know who you are

He might even be a Cool Hunter.

See article on Film here

Marketeers used them extensively in the 80s to pump brands; the cool kid in the block.

Whatever he wore others followed.

Now he simply goes about his business.

But Amazon knows his preferences, Apple know he buys the latest Mac; third parties from tech sites send him review cards.

The professional critics days may be numbered, but not him.

He clusters around like minded people and as he matures by 2015 he is the new net superstar - simply by being.

Simply by understanding how it all works.

And then came the Semantic web

Oh boy

Happy Xmas - as David takes time out with family and friends.

Many happy returns.

The Matrix Journalist

Its namesake may be a tad passe.

Six years is a long time in web history, but the ideals have some currency for what we seek to define in the evolving journalism order.

No longer will linear packages/conversations be adequate.

Perhaps not now, but in some not too distant future.

Already the spatial quality, it's google quadrants - longtitude and lantitude - are much sought after.

Its matrix includes how the report sits within what is being realised as the extended narrative. e.g. comments etc.

How we view the piece within the Matrix of others: technorati, del.cio.ous. stumble upon, linked, pulse, google analytics, facebook

The deeper we go this dystopia becomes less fictional.

Wierdly, bizarrely, we're imagining what we'd like to do, only to discover we can.

In this trailer, we hear from Technorati's David Sifry,the New York Times' Naka Nathaniel, Dan Gillmor, the Royal Institute of International Affairs interviewed over three continents, UK, Egypt and US.

We have a rare look inside Egypt's state broadcaster's new high tech studios where journalists are looking to experiment with the Matrix.

Here for uncompressed version of promo 600px by 300px

REFLECTIONS

As we bid adieu to this year in expectation of the next, a look back on a few things, in no particular order of fun, frivolity and work, which are now deep memory pylons.

Most are just images which capture a moment and reveal their own story.

FT
One of the real pleasures was working alongside the FT.com team.

Sharp as razors, as you'd expect, but full of fun.

How often, from afar, we mentally prep ourselves only to be immensely surprised at the turn of events.

The digital pages of the FT will be one to watch with a new team unravelling new areas of multimedia reportage.





8 Days


It may have weathered, but as new outfits or traditional ones try out video and the rest, 8 Days still appears a favourite from my logs.

As with most of the dedicated films on viewmagazine.tv there's a sense of he movie poster about it; something that heavily influences my work.



You can't see it


Using the clone tool in photoshop I comped this image to illustrate how some of us just can't see it, this new Event Horizon.

Disturbing somewhat!

In a film (was it Greenaway?) I recall a beast had his eyes in the palm of his hands.

What was that film again?


IM6 VideoJournalism


I've often interchanged this coinage IM6 or MI6; the latter more interesting as that's the acronym of the UK's foreign intelligence service.

But this image was one of 6 on viewmagazine peeling back the idea of integrated multimedia video journalism.

The main window is the deep sea dive off Gallipoli which includes the BBC World Service report from Gallipoli


VideoJournalism circa 1993


How far we've come.

An image of an old colleague from the days when we lugged around a huge camera costing 40,000 us dollars working at London's equivalent of New York One.

Rachel, now a professional motivator, has recently been knighted with an MBE for her services to Afghanistan teaching and empowering women with communication skills in radio.

More here on the videojos 10 in 1994




Take a 300,000 US dollars car, a network TV presenter and me, the VJ, and this is what you might get from an unrehearsed shoot.

My friend Kevin was taking the car back to Ferrari's base and asked whether I wanted to come along.

He was late and so wasn't really up to many of the sequences I threw up in the air as we drove.

"David, sure, maybe some other time, but I'm a bit late returning the car".

But this is waht we got and you've been generous.

Perhaps some more tests in 2008.

Any sponsors?

The Ferrari 599 GTB isn't she something here for viewmagazine.tv which has far less compression or if you prefer here on Brightcove
Or here on Youtube.

Part 1


Part 2




The Superstar-in-waiting

And how, how can I forget the amazing Nancy Ginindza - a former student of the University where I lecture.

The head of the course, Kienda called me up:

"David quick you gota come and listen to this".

Nancy's music, raw energy is the stuff of William Wallace.

Kienda and I have spent a few late evenings at her gigs trying to capture what she does.

She hasn't broken through yet, but if we can still play a part - great.

Looking forward to devising her promo in the New Years



Same song with visuals




Happy festive season

TV's Loss is the web's gain

You could call Claudio Von Planta the Jedi Master of actor Ewan Mcgregor and Charly Boorman's trip across the plains of Africa to South Africa, in Long Way Down.

Claudio is one of the people in TV that makes it happen.

Talk about the project as much as you will:

Hey we'd like to film Iraq

Can we film up the Himalayas?

We were thinking of going to these jungles to film this rare tribe.

Is it humanly possible to film some guys who have this hairbrain idea to circumnavigate the world?

And then as the suits head of home, glass of wine at the ready, extoling their latest acquisition and how it will get their names into the awards lists, Claudio goes home, methodically packs, says his bye byes and with equipment you'd likely laugh at saying: "Is that all", gets to work.

But Claudio is tired of TV.

To be frank we've been tired with it for a while.

We would spend quality time trying to rationalise how it is, with the number of good stories around, commissioning editors would still be so prescriptive, absurdelly sometimes so, in what they wanted, which made you look for the nearest bar.

Commissioner: "OK what we're looking for is the world's uggliest person who's married to one of the most beautiful people you'll ever see.

There is merit in the above.

I'm not a complete killjoy.

But in the face of where we are now, this prescriptive model needs a facelift.

But then you look at Dave, the UK cable channel and think, nope they've got it right and there's the audience.

Dave is the success story of the year, a cable channel produced for men, showing the best of Top Gear, Survival stories and so on.

I might add Claudio's stuff would look good in there as well.

Old Ways

If you ever produced UK TV current affairs in the 80s you'll remember this scenario well.

It's the one where the programme producer writes the script for the report you should come back with, and inside his script it says somewhere, "Rats emerging from grubby dustbin, looks at lens, then scurries away".

I'm being honest here.

The producer would literally act the factual film.

It's what they identified as the winning formulae.

Truth we've moved away from that level of prescriptiveness, but not that far.

New Ways


Claudio's new project was accompanying a charity from England to Sierra Leone with landrovers they inteneded to give a charity.

Despite his pedigree, there were no TV -takers.

TV had already done emancipation and slavery in 2005, so Claudio did what most are now doing, he went of and did it himself and the results?

Well you've seen the short above on the web.

He tells me he had to put the confessionl elements of the story together very quickly - an hour - as sunset was around 6.pm and b7 6.30 it was pitch dark.

And for the first time Claudio also lens his narrative, authorship to the film.

What next?

Claudio may well pick up another TV project, but he's not chasing.

He has a bold plan, an amazing one, which he'll let me talk about in the new year.

But in a climate where the world's problems are our own, where one of the most powerful media in the word, Television, could be used to resolve, rather than conflict; where this amazing canvas is inordinately being used as a crayon tray ( by adults) to titilate, then you have to welcome what he has in mind.

Here for the charity
Here for Claudio talking how he works to David


+++
This is the card he sent his friends

Dear friends,

I have seen a lot of Africa this year and I thought I will send you a Xmas card with a purpose:

(david says: Picture here, but have not posted out of courtesy)

Giving a voice to people who make the world a better place

http://www.youtube.com/watch?v=dqP26ilrL74

This video sequence is part of an anti-slavery documentary which I shot in November. I hope you will find the message inspirational and forward the above link to friends.

Merry Xmas and all the best wishes for 2007

Claudio von Planta

website: www.vonplanta.net
email: claudio@vonplanta.net

The ecosystem of new reportage

Photo/painting courtesy of the 1st-art-gallery.


This re-configured post, below, was inspired by Mike Jones' lecture 1 and 2 a continuation, which ellucidates on structural forms, creative commons etc. and is required listening for students and academics.

I have posted this in the past, but I hope you'll understand why I'm reposting

I'm adding to it

You probably didn't see it the first time, and will unlikely find time ever to trawl ( archives-funny word that on the Web) to see what I may have been talking about.

Conversations/ narratives are viral/ circular in this medium.

Would it take a bold person to suggest that Aristotles notion of the art of narrative: Beginning, Middle and an End may be challenged?

The arrogance of it. Oh boy!

Undoubtedly, you need to start somewhere ( i'm starting this piece), but also recognise it has its roots somewhere else - the last post here

It has a middle section, as does this post, but if I link you off somewhere we could get caught in a typhoon of middle sections becoming first; my middle section fuses into your beginning, which in itself is arbitary, as your beginnng may have be spawned somewhere else.

And then where does it end?

It doesn't. oh boy!

I'm playing with form here, but in essence this is where we are or heading replicating the very matrix structure of the web figuratevly as an illustration; a Mesh, rather than the centralised, decentralised form APRANET looked at and discarded.

But structure is what we also thrive on. Aristotle made narrative easier to comprehend and package.

Nice one Mr A or could I be so impertinent to call where I'm going with this as Digital Aristotle.

Multimedia Film
A film with no beginning and an end.

Am I being silly now?

But could I expand the window, entry points for a film?

The easiest form for me at the moment is the picture, Luca-Giordano's form, which captures the mood of the piece.

So for the report I'm producing for January, I'm pushing myself (*$£@&) to find the image that captures the multi-strandness ( is that a word) of the reportage.

If I exhaust all and get stuck I'll resort to a Giordano, I'll graphically construct the piece.

What the picture should hopefully do is provide a start, entry point into several different narratives of the story, that at some point touch/cross each other.

I interviewed seven different major themes, that's seven different films.

Nope, I won't finish those all by January.

But you get the idea hopefully, and it doesn't mean all seven themes need to reside in the frame.

Exhbit 1n+1
Take this pic below, taken by a good friend Sajo Idrizonvic.

There are at least two obvious entry points into the story: the police and lone man.



But what about the cameraman behind the lens and the bystander almost out of shot top right?

Of course some may decline to give their story, but if we can pull all those together, is this evolving entity not richer?

Another "of course", at least for the meantime, is that we enact these scenarios online.

Which poses an interesting conundrum for me when I show any work in the future at exhibitions.

I may well end up showing a multistate film, or singular point of view, which gives more clarity when you seek the online link.

There will be instances, hopefully where I may not be able to provide the other strand, but someone does, and we agree on a shared video hyperlink.

Of course video hyperlinking still needs sorting out, but it will, it will.

I'm looking at some encoding at the moment and will also be calling on the help of some friends.



+++

Original blog
I stood there mesmerized for ten minutes, just studying the piece.

It is without question one of the most captivating art pieces you'll see at the National Gallery in room 32.

It is Perseus fighting Phineus and his companions by Luca Giordano- October 18, 1634 - January 12 1705. This picture above is a remarkable reproduction courtesy of the 1st-art-gallery who reproduce handmade oil paintings.

Our history consists of defining images, endless unique ones that capture an essence. Director Ridley Scott says the lone image of a gladiator about to slay his enemy was the key to taking on the film, Gladiator. There are many more instances like this.

This is my "kwa", my latest at least. I have seen it before, but now in my directing/producing phase it has new meaning.

Continued here

Media Critique

Mike Jones over at Digital Basin provides a critique of the Manifesto on video journalism posted a while ago.

He makes some salient points, and provides, within the quality of his assessment, his own ideas as well.

He writes:
In particular i find myself grappling loudly the notion that the media producer is Not just Editor and Camera operator but that their toolset and creative options are much wider than that - motion graphics, design, interactivity, on-line construction.

But I also see a flaw here with an element of David's manifesto. In making a significant point about the role technology plays in empowering the independence and flexibility of the VJ he specially singles out Point 17 as "My (meaning YOU as a VJ) software includes: Final Cut Studio, Photoshop, Dreamweaver, Photoshop, In design, After Effects and Flash".

That's what we do. GREAT!

A critique saying what's wrong and offering a solution should be entertained, even if the author ( ie me, perhaps you) disagrees.

No one knows anything that is too much.

Solution solving
In the middle of a shoot with a crew or a project, when things unexpectedly go wrong, those that know me, will recall my penchant for saying:

"It's about solutions, not problems".

David: "OK stop for a moment, we know what the problem is, lets get over that and come back to the "why" later, but meanwhile how do we fix this? What is the solution and our options? "

So Mike's own intervention moves the dialogue along: the critic offering nothing is like the howl of the wind, the critic finding time to offer up solutions is like the howl of a wind bearing drops of rain proclaiming it's about to rain buddy so go grab an umbrella.

I gave reasons for the contentious (17), so why not hop over to Mike's blog and if I'm not being too presumptious, if you're not already one of his, click his RSS.

Meanwhile in conclusion to the thread on problems and solutions, a thought on this process, often besieging managers.

Part of our own traits within this behavioural pattern (Sol vs Prob) can often be our worse enemies.

We expend so much energy on a blame culture, as opposed to a particpatory one; one that's buit on meism rather what collectively we might achieve that, it's any wonder we can move ahead at all.

That doesn't mean giving the crown jewels away, so yes you can still monetise, but at the same time give ownership.

We do it many times in different guises: the boss hates all your ideas, so you find a route to place the idea with your boss convincing him/her this money spinner was their idea.

In journalism the "me and them" that still festers bares it soul around an age old pattern: Older people are wiser, those with years of experience know better and you can't teach an old dog new tricks.

If 2006/7 was the period of touchy feely, one suspects 2008 will show some interesting paradigms.

The critique quotient may well rise.

Broad shoulders anyone?

How to launch a news video service in London - What's wrong with the news!

One of the most intriguing aspects of regional vid news in London is the lack of it, unless you consider the half hour squeezed from traditional broadcasters as adequate.

Take this map above, its a representation of the number of boroughs/ municipals that make up London.

It has several local newspapers - sometimes as much as three per borough competing with each other.

There are an estimated 7.5 million people of diverse culture in the capital, which generates huge sums of money.

According to the national statistics online here are some other interesting figures

5 milion of those are between 16 and 65 pensionable age

"London has a relatively young labour force, with 41 per cent aged under 35 compared with 36 per cent nationally. This reflects the young age profile of its population. Londoners are more likely to be self-employed than people in the UK as a whole. In the second quarter of 2006, 16 per cent of working people in London were self-employed compared with a UK average of 12 per cent|". ~ direct source quote
Labour Force Survey, Office for National Statistics (ONS) and more ( see link

BUT there are ONLY TWO half hour evening news broadcasts that serve London.

May I repeat that: 2

And less I skew my own argument I'm not pleading for lengthier evening broadcasts - no, that's not the point.

The way news is covered in the capital resembles something bordering on serendipity - based around proximity of news, press release news, editorial currency and balance ( which news item the editor favours) and limited staff based around the central arcane hub of news gathering.

It's a system that has stood the test of time as news has evolved, but how well does it bear up to scrutiny today?

Hyperlocal news, thus, is a real battle ground for broadcasters, newspapers and any new venture, across London in particular and the UK generally.

How News is Made
It's a bit of a misnomer as news/events are continuingly unfolding, but how do you make sense of it?

The traditional model gathers news around a number of sources

Calls to the police and emergency services

headlines and front pages from local newspapers

Pre-prepared news items from a forward planning desk

Judgement and whim of editor and editorials

What the opposition is doing

PR traffic

knowledge from the reporters and correspondents

a subscribed to diary service saying things such as Will Smith will be in London on December the 5th to promote his film.

The fundamental flaws in all of these credible processes is one that has crept up on broadcasters in the multi news litaeracy age, but first saw daylight back in 1993.

Firstly

The method of gathering is too centralised

News values are predicated on prefab foundations

and the sytem is too inflexible to respond to sequences.

As you're reading this now, it's more than likely that a significantly pertinent event is happening which may have a huge impact on Londoner's daily lives. The value placed on that item involves a myriad factors one of which will be "Do I have the space to put it on air".

Traditionally brodacasters pool their reporters to jobs for the day, unless they're feature pieces.

Their time and reportage is more or less fixed; you come in to the building you get your assignment you leave to cover it.

These flaws I refer to became obvious when we launched London's Channel One TV in 1994, modelled on New York One -a 24 hours cable news outlet.

The concept of newsgathering was in principle, though this eroded because of news competitive pressures, placed around the beat reporter.

And each beat reporter was supposed to have greater affinity with their community, though as I say London's model came no where near to NY1s.

But the real jewel in the crown to emerge post Channel One, which today would have a powerful news indices, was civic journalism.

The combination of civic journalism - a paradigm of an experiment launched by the Knight Foundation - coupled with decentralising today, could generate what would possibly be a tour de force in news coverage - a 21st capital which really doesn't sleep.


The hyperlocal news today is....

Regional newspapers passing through the video bottle neck, circa 2005, did so in part response to land grab the hyperlocal market - advertising n’ all, before mainstream media.

Some like the liverpool Echo and Manchester Evening News are proving formidable at providing local vid to strengthen their print brands.

Some however are making a fist of it by adopting TV stanzas, wedded to the mechanics of mainstream news and programming, a clear mistake.

We may dislike this truism, but the x-factor, a definition much used amongst UK broadcastersin the late 80/90s, before a hit TV show camer along, gave kudos to the messenger and complex inter- active qualities between the outfit and consumer.

These complex qualities, distilled by marketeers, were exactly what made Peter Jennings, Tom Brokaw, Trevor Mcdonald and George Alagaih houselhold names

So the model requires something else or the very least some background work.

Fight back
Traditional media is doing its bit to gain a foothold in hyper- local news e.g ITN with local news on broadband.

All in search of that pot of gold; the untapped ad revenue is counted in hundreds of millions of pounds.

The BBC has carried out extensive research into local TV using broadband and much of it is enlightening.

I have a video of one of their senior managers from the department carrying out the trials which I'll post soon

But how micro can local go ?

City, town, community, street ?

2008 trully will define the battle grounds

We’ll be working with a few outfits in the new year looking to go local, as well as trying something like this out in January, - interactive magazine online which hopefully when it goes active with the back end might prove interesting, or not!

p.s Question If you're running a dedicated Flash based server content wrapped on a Frame, how re you generating meta data?

Think Politics- Can MTV show the networks how to engage youth?

Any psephologist, actually anyone that follows wrestling may be able to recount the amazing story of professional wrestler turned politician Jesse Ventura, elected Governor of Minnesota in 1999.

Jesse snuck up from behind all the favourites and pollsters by mobilising the unhidden 1000s of wrestling fans who would vote for him.

At the time of his win, at a Freedom Forum seminar in the UK, I recall marveling with John Owen, the then Director of The Freedom Forum U.K, and Adam Clayton Powell III at the significance.

Jesse is widely acknowledged as the first person to use the net to reach out to voters.

It would take a few more years before the likes of Howard Dean or John Kerry would touch the net flame and even then you could argue no one's quite replicated Jesse's theme.


Youth Politics UK
If you want to count the youth vote and the net in the UK, then you'd do better 'duck feeding'.

Election upon election, candidates face the perennial problem of failing to capture the youth vote; the youth turned off, face down from the collective mores and didacticism.

In the 2001 election as one of the producers for ITN (UK) Channel 4's flagship political programme, Powerhouse, during the election we barely, if ever, touched youth issues.

So MTV's initiative, Think.MTV.com. in which 51 young multimedia reporters cover the 2008 US elections nationwide with with regular short videos and blogs makes for an interesting read and experiment.

A number of questions come to mind.

Can the youth vote have any real impact on the body politiks of the election?

Could the Net truly come into its own confounding anyone but the youth?

Could it be the youth who get the killer question in that might turn politicians' on song message sour.

A case of be careful what you say to the guy in the baseball cap who looks eight, cuz he may well have you on national TV.

Anything, anything that engages the youth with politicians has to be given merit.

But the underlying reason why the youth tune out is still there, so MTV may have to reinvent the wheel in political reportage to avoid playing only to the classroom swot.

In the UK, many moons back, a BBC youth current affairs programme Reportage had a modicum of success; their issue-led films were good, often picked up by the nationals.

But you often felt politicans spoke to the programme to appeal to mums and dads in an attempt to convey the missive: "we care about family values".

If MTV can get the politicans to be accountable to them, as the block swing vote, then we might just rest Jesse's accomplishment's to rest, for the mean time.

And with green issues and the environment looming large that might not be a feat too far.


Footnote.

In 2001 I ran a summer programme, Postcode for young people becoming film makers. We toyed with the idea of politics, but felt we couldn't reach the audience.
Perhaps that times now caught up with us

The great debater

Sometimes the simplest sites are the most effective.

Take the great debater directed and starring Denzel Washington with Forest Whittaker, and Oprah producing - now that's a winning combination.

Here here to the site designer who demonstrate also how full video will be so common place in a few clicks to come.

Phishing, Mad dogs and Police Camera Action - the difference a day makes

Mind your security

You couldn't write a script for it, but the last 18 hours have been eventful to say the least.

On my way home passing a friends house, we noticed two burly men in a dark car looking down into a laptop.

There was it appeared to be data streaming.

They could have been innocently surfing broadband networks - which in itself constitutes a crime - sans permission.

Phishing has become increasingly popular as most broadband users have not secured their networks.

It's most common on high rise estates where criminals are known to lie in wait siphoning off traffic data which could include your sensitive financial details.

When we went online we counted at least 9 overlapping wifis open to attack.

So we went in doors and called the police and handed over our findings.

My colleague unable to contain himself crossed the road and asked if they were detectives.

They laughed- all 6 foot 16 stone of them and then moments later drove away.

When we spoke to our ISP, they were dismissive, assuring us such things did not happen and no one could get into your network.

Riigghhhht!!


+++++++++++++
Mad Dogs

Out on a bike ride this morning, I spot three dogs Rotweillers strolling with their handler.

We had three dogs as pets during my teens, but if I can I'll avoid them.

Which is what I did, until two decided, barking furiously, to home in on me.

I stood still and shouted out to the owner.

"Madam your dogs!!!"

"Oh they don't bite"

"Of course they don't, they're your dogs"

"No really, they don't bite"

'They're still coming at me". Meanwhile I'm standing still looking peripherally at them.

She made some feeble attempt to call them, they continued on their path snarling.

Within normal voice range, I pointed out, firstly I should be able to walk anywhere in this park without being threatened.

And how would she like it if three mean looking men peeled of from the pavement and walked close up to her, whilst muttering we're not going to hurt you.

And furthermore, if I did manage to grab something to defend myself, she'd be pretty furious.

Yes dog owners, you need to be a little bit thoughtful sometimes.

+++++++

My package on multimedia is taking shape, but it's too slow, so in an attempt to inject some action, I'm hoping to go out witt he police on a night raid.

That way too I can illustrate multiple entry points for multistrand storytelling

Area police press office isn't being too helpful, asking what they'll get from this.

How journalists may well be covering crime stories as videojournalist, didn't quite cut it.

And that's part of the problem.

Institutions are still insulated from the changes taking shape on the ground

The art of storytellinng

The room, animated with the whirring din of conversation, wine freely flowing, all of a sudden died to a gentle hush.

The throng of guests parting like the chorus line of a black and white 20s film.

He was heading my way.

I wiped the palm of my hand on a handerkerchief, bowed my head gently in expectation and extended my hand; a colleague sitting nearby did the intro.

Your Royal Highness this is David…….

.... Whheer! haven't I told this story before yesterday...

So what's behind this and why was Jay-zee laughing his head off

Tell me a story - The art of storytelling

The room, animated with the whirring din of conversation, wine freely flowing, all of a sudden died to a gentle hush.
The throng of guests all seated slowly began to rise, parting like the chorus line of a black and white 20s film.

There he was.. the man...and he was heading my way.

I wiped the palm of my hand on a napkin, bowed my head gently in expectation and extended my hand; a colleague sitting nearby did the intro.

Mr Mandela this is David…….

At that moment brimming with deity conscious I looked at the official photographer.

He looked back.

And then shrugged his shoulders, mouth upturned gesticulated at his camera; the film had finished.

And that was that.

My encounter with Mr Mandela is but a hard copy of an image available only in my mind.


Emotional
If you’ve laughed at or sympathised with me in some way, then it may well be because I have told a good story.

The grand denouement of meeting a figure many of us would want to encounter; the picture which we would have wanted to show mum, dad, family and friends but alas no film.

Grrr the chances of that happening; the chances of any of that happening.

The art of storytelling appears as an article in this months Havard Business Review (HBR) from an author Peter Gubber who’s credentials as a film maker and executive with Rain Man, Batman and the Colour Purple behind him shows he tells far better cracking stories than I do.


It would be a trite difficult to at first think there is a philosophy that underlines telling a good story, but this article and a fair few before it brings the issues bang up to date.

Gubber delineates four areas of storytelling crucial to the form as follows:

Truth to the audience

Truth to the Mission

Truth to the teller

Truth to the moment

With such momentos as a storyteller never tells the same story twice and the unwritten contract between author and audience.

Sadly HBR's article is locked behind a pay wall and it wouldn't quite be cricket to recount the article chapter and verse, not to mention the ethical implications.

They want to make money on it, so be it.

But it did have me reflect on my journey looking at the art of storytelling particularly with a video camera in hand.

At its basic level videojournalism is point and shoot, and in some cases that's enough for the story when it's unfolding as a dramatic event before your very eyes.

But there are many times when its the construct, a visual-auditory jigsaw puzzle which relies on more than what's in front of you.

I often use this example if you want to play along.

You're driving 50km/hr on a road and a ball bounces in front of your car.

What do you do?

Now, instinct, don't think, what are you about to do?

breaking instinct

If you work in the police force you'd have been coached to slam the breaks; there is a child running after that ball.

Instinct, learnt or otherwise is a powerful reaction to what we do; film making no exception.

Sometimes it comes from practice; there's a reason why actors graduate to directors or news makers become doc- film makers.

The art of making mistake after mistake and refinning that moulds a different perspective.

The art of videojournalism; perhaps the boldest transition to newsmaking, as one person carves out the whole news journey, involves more than a multitude of knowledge nuggets involving tech-push buttons and point and shoot.

I'm reading the HBR article again and agree with all their points, but if I were to sum up videojournalism in four points it would be

Passion

People

Perpectives

Preparation

And briefly before I let a yarn go sour, it goes something like this.

I'm nuts about video and it's look and feel; how it can be manipulated; how the sound adds to the video; how what's usually out of the lens adds to he story; how leave people to do so and they'll tell you what the story is; and rather contradictory how you've got to work the story to get the best out of people and it.

If it looks easy, it may be because it is, but I have got into the habit of discarding my first idea - too easy.

Where's the hook e.g. emotion, draw etc?

People, people, people; at parties I'd be in the kitchen listening to stories and different perspectives.

And then the prep work that goes on behind the scene and on the ground, by the-seat-of-your-pants and by engineered desire.

And that in a nuteshel is it, unless that is you want me to flesh out some, and if that's the case then this story is not as bad as I thought after all.

to be continued. . .

"You know" watch -BBC Radio 4

Sol Campbell lamenting the level of abuse and taunts on the football terraces and how the FA has let him and many other fotballers down, an issue that annoys me seeing it.

But like piece of spinach caught in the teeth I found myself getting distracted as Mr Campell ploughed through his interview with "you know" every 5-15 seconds.

You know, it gets in the way of the message; if you know what I mean

Mi6 Videojournalism

Image from draft book

I have put together a draft for a book on videojournalism which covers a broad palette from working at the BBC in the 80s, looking at Vjism in the 60s; the dirty word in the UK media, Channel One TV; to the more up-to-date talking about modern forms of storytelling.

Story forms that include videojournalism gonzo, techniques and methodology on the Press Association course and exchanges with a number of outfits in South Africa, US, Berlin, Norway and the UK.

I'm soon to be in Bejing so am holding off til that leg

Part educational - a sort of how to without the clunk clink of it all - and part personal journey, it's about story, story, story with hopefully some interesting anaecdotes, some almost bordering on the absurd.

Example: always pack condoms on expeditions or foreign shoots, you'll never know when you'll need to protect your camera from sandstorms or rain - yep I don't bother with the rainproofs etc.

To date there's been, oh dear, near a 1000 journalists I have trained - loose count and that's going some way back.

If you'd asked me what I'd be doing when I left Applied Chem school I couldn't have told you this, so ( shrugging shoulders) sometimes I stop and become a wee bit amused.

But we're enjoying it which is why we do it, isn't it?

Here's an old draft of the front page which will undergo further changes.



WHAT IS VIDEOJOURNALISM ?

Videojournalism is an advance on television news production - a shift away from the predictable appproach television has stuck to doggedly since its inception.

It is next generation television: story telling in which you are not bound by the many constraints of traditional news production.

As a movement the form merges a graphical and photojournalistic stanza; a poster cover depiction of the moving image, where each shot matters, each shot counts.

If Capa lived to capture images on light weight, hi-tech cameras, he'd be the classic videojournalist and his dictum that if you're not close enough you haven't got the shot would still count.


**Broadband Era**

Vloggers, video bloggers will undoubtedly rule the net. Their short, sometimes idiosyncratic productions well suited for a medium where time is compressed and users' attention spans shortened.

Videojournalism is a sibbling of video blogging and citizen journalism.

It's a low entry, affordable and highly versatile discipline - which will not only alllow you to compete with television, but often beat it.

The first videojournalism station in the UK in 1994, which this author worked for, animated the industry.

It frightened some as well.

That's because our story composition, narrative and creative use of pictures were different.

The time it took to get the story on air or online was swifter.

Today, for newspaper outfits, magazine publishers, corporate PRs, creative agencies, the aspiring film maker, photographers who want to increase their earnings, video journalism offers a powerful visual solution.

All you'll need is a small lightweight HD camera and PC with film editing software - all highy affordable - and an enquiring mind.

From short news pieces you'll leap to lengthier features and THE FORMAT, before breaking that rule.

And you'll learn all this in a short amount of time.


**Meeting the Web 2.0 Challenge**

And what's more you'll go on to embrace the newest form of videoojournalism Mi6 (Integrated multimedia 6 ways)

From your shoot you'll be able to publish 6 ways, the audio for podcast, stills, multimedia, video, a promo and of course your article.

And you'll find videojournalism will sharpen your video blogging skills or what television calls the piece to camera ( UK) or stand-up (US).

If nothing YouTube has shown us video nations we're driven by video.

As a videojournalist your instinct for visual story telling will heighten. As an organisation you'll increase traffic to your site.

As a manager you'll look at the bottom line and realise the cost and returns from your new venture more than square up.

Videojournalism isn't cheap, but it's a resource you can ill afford.

Be part of the visual video revolution.


ref: posted in Videojournalism Today
*Multimedia posting
* Film site -Multimedia Film released in January
* Trailer for Mi6 Videojournalism
* Scott Rensberger and Claudio Von Planta Two of the many accomplished VJs around the world.
* Amusing little ditti - made in 99 Featuring Dany Glover - as one of his producers working at ABC News South Africa in 1994
* Flash promos circa 99 for Lenox Lewis, Chatham House among others The beauty of these were their file sizes around 200k and interactivity

What's the point of websites

David's website in 2001

We've been here before.

For me in 1997 having produced a site showing my work I wrestled with the notion of what looked like self aggrandisement.

Unsure I emailed a friend: " Is a personable site nothing more that the vanity of placing a mirror in one's back pocket?"

The web was corporate; a window to a business' world but personal sites?

There were noticeable exceptions e.g. Auriea Harvey - that brilliant NY digital artist

But for franchisees like me, what was the point?

But we, me, published into a black hole nonetheless.

Today, any such luck or determination to build your own site should be met with squeals of derision.

Why bother when there are enough off-the-shelf solutions at no cost to get you a web presence.

Any number of blog sites will do, but of course the daddy of playing the web field is Facebook.

Jeff Jarvis captures the zeitgeist of Facebook brilliant in his Guardian article today

Too late

So why would you want a website, when everything's there on plate - at which point I half expect a chorus of deshevilled chilrden to break into song with this doctored verse?

"Ere now, Oliver, you just copy Dodger
and I'll help you out with the words, alright? So it's
"I'll have anything"

Why would you not want a prefab portcabin house with its plethora facilities, available on demand?

Why would we want to produce something like this when we might seek an off-the-shelf solution

It answers itself, but not quite enough.

I look at viewmagazine.tv and my ask why bother?

Though when I peruse theronin, or HillmanCurtis I'm certain in my assessment.

Branding and characterstics; that certain je ne sais quoi which provides you with that distinctiveness and aura of being.

Facebook may be the best site going, but you'll not see the BBC, or Guardian jettison their brand to go all out Facebook native.

But that's it then.

It's not an exclusive deal either or but and "and".

But where then do we see the distinctions in form and function between our Face and our own sites?

It won't be lost on any of us why we have Facebook; it's not so much a platform, as a Killer medium funneling considerable day time, and night energies.

In part it's the low hanging coconut; drink and you'll feel good, avoid and your daily fix of hugs and pinches will leave you looking cold turkey.

As facebook encroaches on the apps ground of web site building, it'll be up to those that want to be different to up their game.

By that, content that's so compelling, outlays that ooze immersion, playability that would have WII addicts wanting to stop by.

Truth, we're not there yet.

How can we be ?

These intermittent web growth spurts indicate with some trend extrapolating there's more juice ahead in what we're trying to do.

The most absurb twinning of courses: computer science and journalism, may have had you doubled over laughing a year ago, however today, you're fearing the worse.

CSS go.. CSS go.. We're a limited time away when journalists will have to know CSS, action scripting and XML as a matter of course.

Why?

Because what they are likely to encounter in this new rift we're opening will be unimaginable compared to now.

WSWYG may render a lot of code knowledge redundant, but perversely understanding what it means will make you better lay person underneath the bonnet.

If you've ever tried to check whether the oil in your car needs changing when your partner has no clue, you'll understand what I mean.

Even more intriguing we have absolutely no idea what algortithms will emerge from the bowels on google to rank that precious piece of copy.

Writing brilliant article may soon just not be enough to get the bots to show the humans it's definately worth the read

Key words
Don't sneer or feel despondent if the following fail to set you on fire; there's time yet.

keyword proximity

how often google crawls through your content

noindex or nofollow attribute.


But for the videomakers amongst us what could the future hold.

This year was the year of Brightcove, soon not to shine so bright when it switches off its free-to-submit without ads on the 18th of December.

In fact this year was video distribution galore year.

There's still acres of innovation and when video hyperlinking hits you might as well pack up if your videos aren't scoring.

But more relevant to the method and quality of video, (news video) will be the aesthetic and the advanced visual language skills to make video leap from the screen.

There's an incredible scene in 300 where a gladiator vanquishes opponents in swift ballet movements in a stacato-sped up- stacato style.

It's rich and tantalising to watch.

The technique for such a dramatic shot involved three cameras filming on the same plane; three independent cameras which could manipulate their own data: slow, normal, sped up.

That's just one technique, but texture, composition, function will all heighten to ensure we spend 20 minutes on average on a site rather than 5.

So what are sites for?

My bet is still to this end game of web video presentation, again not at the expense of text, but the point where the screen supports HD and dimensions that will have your niece laughing at you when you show here Youtube's 425X400 screen.

What are sites for?

With what we've been thorugh this year, we're about to find out in another frenetic year ahead.


David has just gone back to browse though his CSS cookbook

OCD videojournalism

Yes it can be at times a compulsive obsessional disorder.

On holiday in Turkey recently I did what I always do; go off the beaten tourism trap to sample the area in as near possible I can get to going native.

Something strange in this small coastal turkish town: thriving yes with tourists with English the international language of choice, but something else.

Over the course of a decade or so the town had, I discovered, transformed, embracing not just English customs but an English way of life.

Many of the settled locals were from the North of England, Newscastle, whom seeking a quality of life had taken their trade and finances to this new enclave - what property the could buy in England was nothing compared to what they could get now.

Many of the young turkish men had English names and a significant number had English mums.

The whole area was being rebirthed as an outpost of Britishdom; even the local council had an English person sitting.

Extraordinary, I thought, and so I set about documenting it.

One major result, a consequence of this migration is that if you're now thinking of going to live there, you'll notice the property prices: there on par with house prices in the UK.

And the name of the town?

Bummer, forgotten,. must go and check my notes.

Don't you jurse lurve blogs for their looseness

I must learn to put my camera away when I'm going on hols.

HAHAHA -the internet circa 15th century

Absolutely fantastic, but it's reasonable to think from scrolls to paper this may well have some verite.

thanks Paul

Intel gatherers e.g. Police, the CIA could learn a thing or two from journalism

Cross post from Adrian Monck "How journalism could save the CIA."..

Journalism sounds worthy and old-fashioned, says Adrian, But relabel it Open Source Intelligence (OSINT) and it holds a new fascination for governments.

+++++++
My response
++++++++

Hi Adrian

I have had a cursory interest in this from past stories e.g. interviewing fomer CIA boss James Woolsey and attending Chatham House talks.

Regular TV pundit and Intel Analyst Glenmore S. Trenear-Harvey alerted me to a news piece concerning the CIA's recent findings on Iran.

The copy read the it'd come by its intel through pics of a couple of journalists, on assignment shooting away probably unaware of the significance of what they had.

Some years back I met Robert D Steele, a veteran Intel officer and founder of Open Source Solutions.

He made the point that some huge percent of what intel gathers is in the public domain; a significant waste of public finance he quiped for those using elaborate intel gathering means when the infos all there in the open.

The Net offered a solution, a sort of secretless society - I'm over simplifying, but here's the vid and write up that went with that.

Journlists showing intelligence gatherers a thing or two?

In Norway at there annual gathering for investigative journalists a couple of journos cracked the home address and location of the chief of police in minutes - all using open source stuff.

A moving story of a former news anchor now sleeping rough

I hadn't made the item at first.

The man sounded extremely articulate, and was beng interviewed on BBC Radio.

He'd been sleeping rough, visited by a charity offering a cup of soup et al and as it would happen one of the attendants worked for the local newspaper.

The nationals then picked up the story: an ex ITN newsreader who accumulated so much debt he's now homeless, sleeping rough but sounding rather chipper.

He'd applied to sweep the streets to no avail.

This may indeed be the extreme end of a story, which has Hollywood written all over it.

The little publicity he's garnered may well turn his life around.

But Ed Mitchell's story is not unique, at least in the security of working the media.

A significant percent entering the broadcasting profession will do so when they are young and up for the pressures and relentless hours.

Each job you come by will not necessarily guarantee your next; and at some point the feast-famine existence will gnaw at you.

You'll then need to make a decision- one not predicated on your abilities, but how successful you are at securing jobs.

Here's the piece from the Times Online

David returns to Apple London with a little help from Visual Editors

The date needs sorting but I'm going to be back at Apple Regent Street London for an evening of fun and play.

It's going to be an hour and half session with 30mins Q&A and its free for you to attend.

So what can you do in that time?

In the past I have used Apple sessions to showcase work.

This time, I'm thinking about concentrating soley on video and aggressive videojournalism, which means it'll be far more practical.

Also I'm looking to get video of my buddy, Rob Montgomery from Visual Editors showing how he uses his i-phone as a reporting tool ( We hung out in Cairo where we worked on a joint reporting project).

I'll deconstruct one of the UK's most cutting edge series I worked on as a Reporter/Assistant Producer in the 80s/90s: BBC's Reportage, which could easliy be the gene for Current.tv.


David reporting on the UK Brain Drain for network current affairs youth programme BBC Reportage.

Click below for show

Brain Dran

Britains Youth Crime system

The programme invested in a style which in now all but redundant, but as I'll show it was right on the money in the way it mixed genres and could be invaluable for big set piece video programmes. e.g the Telegraph for instance, which is planning a major series on politics.

Several of its original casts are huge names in the industry.

Apple Time after session
Hopefully they'll also be time for looking at multi-entry story telling, so if you're a flash designer do pitch so we can have a discussion.

So what do I mean by aggressive videojournalism?

In effect there's broadly, for me at least, two types of video journalism.

You shoot with a DVCam, you're a VJ and you likely shoot very well.

That style is solid follows the rigours of the 3:6:9 rule and is very apt for TV, and in some cases you're award winning.

There are some incredible VJs that shoot like that and I'm a big fan of their work e.g.

Then there's a style where you manipulate the lens and direction on-the-fly to dictate the nature of the shot and object-subject.

There's a fluidity within the camera and the narrative; the camera mimicks eye movement; cuts are often fast; and the shooting and editing is symphonic.

Two different short cuts include:

This Reuters demonstrating their mobile phone kit

8 Days - the story of the UK's first newspapers journalists turned videojournalists.

Rules of thirds and compositions are bent to accomodate fresh direction.

If you're a big fan of the BBC series Spooks, you'll note how its style has fundamentally changed from last season to this.

Similarly, Paul Greengrass and Tony and Ridley Scott offer the sort of inspiration and guidance e.g Scott's Man O fire with Denzel Washington and more recently JJ Abrams "Cloverfield" ( WATCH THIS).

The style - shoot to edit - involves multiples direction and thinking in 4-6 second cuts - almost predicting or trying to the next shot - with one camera.

See you apple. I'll drop the date in when I find out when.

* Write up of David's first presentation at Apple UK's Regent Street talking Hillman Curtis, Heavy.com and Newstoday to name a few.

Allo News Hub, Adieu Christmas news office sex party

Like a deck of cards being shuffled, that sound you're hearing is of a cacophony of newsrooms alterating their state.

"sllller...eeek", there goes another one.

The longitudinal plane you used to negotiate, throwing jolly 'hellos' across desks before 2 minutes later you arrived at yours is likely no more.

Your office now resembles something out of the starship enterprise.

In the name of super efficiciency, speeding up the transaction between raw story and multiple outplay, the office you once loved for all its faults, and well memories, is well stardust.

More worrying as you scope the office in expectation of this year's Christmas tidings, the In flagrante of mmmm sex sex sex at your desk far end of the room, will have to be revised.

In the new concentric office arrangment there is no blind spot. Bummer!


Grrr
Bloody management.

And remember the 100metres dash after the 30th rum punch, skirt pulled to your knee, tie undone to somehow emphasise your masculinity, that's now become the 10 metres walk.

The hub is many things, but a freind for human indiscretion, Naaaaah.

Though we sapiens are an ingenious lot, so watch out this Christmas for the lights going off and the shrill of laughter.

For the uninitiated the only light that penerates the hub room is on the circumference and that light fades as a squared mutliple in distance towards the centre, meaning the best place to be is the epicentre of the hub.

Which also suggest the best position ( woops sorry) to be in the middle of the black out is with the editors - nice if you fancy one of them in the process.

At this point you're beginning to question this leap into 21st century architecture.

But hold out hope that Tim or Jane that you fancy may well be in your office reach - that dark spot - once again in, say five years time.


Times Change
There is a junction down my street which over the ten years has changed more times than an aging movie star's visit to the plastic surgeon.

Next year in a bid to ease traffic flow, the council will try something new - a revert to the old.

The Net may have resulted in a radical furniture shift in this big warehouse news space, but how long till something else comes along and disrupts it back?

If you still have your old office as thousands of newsroom do, you might want to think twice of changing it, if nothing for the fulfillment of human pleasure.

BBC faux pas

BBC News runs an item about people who ring the emergency services for the most bizarre requests.

"Er is that 999? Perhaps you can tell me what the time is?"

"Is that the police? Perhaps you can help me, is there a post office near by?".

Perhaps if we fined these imbeciles or put them in the slammer for 24 hours, they'd come to their sense about what the services are there for.

And whilst we're doing that, perhaps we could fine Fiona Bruce - the BBC news presenter as well.

She thought it was dead funny and laughed at the incredulity of the news item.

Call me a spoil sport, but I doubt that's the response emergency chiefs were hoping for.

Quids on, the services get innundated with these moronic calls, on the basis that hey, if you do get on BBC News it's considered funny.

"Iis that the emergency services? If I'm really stoopid and say something crass like where can I buy some bathroom paper; I have run out of bathroom paper you see and it's pretty late, can you make sure I get on the BBC?"

Yeah funny!

Desert Island Discs - BBC radio 4

Just been listening to one of the BBC's longest running Q&A progs on BBC Radio 4 desert island discs and it's welled me up a bit.

Professor Sir Alec Jeffreys - the scientist who discovered genetic finger printing is talking about the very first time the technique was used in the UK and recounted the story of my family.

Yes, it's an incredible story; I'm more detached to talk about it, but the dispute was whether my kid brother who'd returned from a long holiday in Ghana, was who he claimed to be.

DNA genetic fringer printing had never been used in a live case.

This was the first time it was taken out of the lab.

We'd fought a two year battle trying to prove our case, almost exhausted all options then we got a call from our solicitors.

A new technique would resolve the dispute.

It did.

Today my not so kid brother has one child and is doing pretty well.

Parrallel lives eh.

It could all have been different if it were not for this science.

Ironically, years after the case, I went on to study Applied Chemistry at university, before turning to radio after graduating.

In Leicester I covered a conference with the likes of Baroness Warnock and Dr Alec Jeffries as he was then, and thanked him profusely.

He won't remember.

Time to say thank you again.



a strand of David's DNA fingerprint, unique in that no one else will have the same marker, but the clustering will reveal patterns within families

Ouuch! - BBC Radio 4

"Alex Fergusson (Manchester United Manager) has a limited vocal repertoire" - Jim Naughty

" I don't mean to be rude but footballer managers have about seven words that they use" - Jim Naughty

A career in television

Yer don't have to be a woman to know this. Hands up those of you after watching this go... "yeaaahh" I know people jus like dat".

Yeah me!

I mean that was me

One of the shows I worked on, the producer was the son of an MP.

He got a wopping life long contract.

And he was a l**** **^%£%£d

At the house of a former commissioner, she noted her daughter was dilligently working her way through tele and that everyone was pleased with her progress so much so the phone was ringing of the hook for her to return.

"Clever girl.... I wonder why"

But lets not be cynical or bitter because....

"Wot! Your'e going to give me a payrise and promotion if I don't post this".

Er I don't work in tele any longer .. doh!

Here's an angry reflection rant based on that great TV question from your boss.. where would you like to be in 5 yers time

Thanks to BBC's Paul Brannan for posting across our Facebook.

er p.s don't forget to watch the other Charlie clips like this

The new new thing

David (behind camera) working with Phd colleagues at the Smart Lab in cooperative, sharing exercises.

You meet a guy/girl you have never met.

They do something remarkable that you don't do and perhaps therefore you would wish to be in possession of this.

Conversely, and you're not to know, they may be thinking the same thing about you.

You exchange some tentative words, find you overlap on their space and again conversely they're asking you questions.


Now here's the dilemma.

In that time you probably get a good idea of what they do and you could if you perservered incorporate that into your own way of working.

They might be thinking the same, though again you don't know.

But then something extraordinary happens in this extraordinary climate.


Share Culture

It began many years back; when sapirn sussed that in a bid to stay alive it would be more beneficial if they hunted together which would yield greater rewards.

They cooperated.

But the word found favour and pop stardom in the era of the Open Source - the Net.

Share, Share, Share.

It somehow goes against the grain of things we've come to believe - and often I find its strongest opponents, strangely but naturally, in the alliances of new journalists.

At school you most likely curled your hand around your work to avoid it being seen by others or engaged in subterfuge to get the highest marks above your colleagues - and perhaps, perhaps there was good reason for that.

John slept all day while Jane swotted to pass exams and she'll be damned if she was going to do John that Lazy ********d any favours.

But then we enter a new phase of out lives: dependency from birth gives way to independence ( quick hide your work) then from there hopefully interdependence.

The matra: what you do adds to what we do sits at the front of the cortex.

That's how Robb Montgomery and I in the space of a few minutes of meeting each other in Cairo decided without consultation, without any fuss, how we would mutually we would work together.

It's a bond of trust of understanding which is difficult to determine, to even predict.

And many, many, many of us are doing - much still to the bewilderment of business.

Somewhere in the time continuum of high school to university or life in teens to twenties it may reveal itself.

But how do you engineer it?


How do you effect change

There are cultures and personalities I have come across over the years in my lecturing that eschew partnering.

There are a number of reasons why, often very legitimate in the way we must also respect others customs.

....this profession however, this new dawn of a profession however begs cooperation.

It requires, graphic artist speak to coders, journalists speak to Flash designers, speak to photojos, speak to managers, speak to employers - NOT as a top down.

An ideal state and perhaps a naive one you might say, but there is much value, huge value in this.

And within the ecosystem of cooperation people find each other.

"I will find you" barked Daniel Day lewis in The Last Mohican.


Smartest Person

I'm forever using the phrase borrowed from Dan Gilmor of the smartest person in the room syndrome amongst those I'm sharing ideas with.

Sometimes I'll be asked a question and jokingly refuse to answer because I sense the person posing the question hasn't turned other side of themselves to ask someone else.

That somone who've they've been sharing space with for a considerable time may just know the answer.

70-80% of what you think you know ( the percentage is not definitive) is apparent when you end up teaching someone else.

There are twin rewards.

Confirmation of your own knowledge and more so adding to this unconventional transaction of helping someone else.

Before the film "pass it on" that's what we knew it by.


The road less travelled

Many years ago I got lost in Brindisi, Italy with a friend travelling through Europe.

A young girl, barely able to speak English; our only italian was thank you, took us to her home - shooing us to be quiet as we walked upstair.

Her dad, she showed pictures of was a boxer and we could hear him yelling in the background.

Next day as we set off, creeping downstairs, we offered whar money we had left.

She declined and she didn't have to say what she expected of us.


Dilemma
In essence that's where we are with Prisoners Dilemma; if you don't know it already as part of game theory it's worth investigating.

And that for me is one of the challenges to new journalism, not the technology which we'll have to wrap our heads around but the unwritten quid pro quo.

Meeting new people like Robb and getting excited very quickly at what he does; of talking to students who when you put something in the bank return it with interest.

It is the story of IMB and the open Sources who declined any money; and in my case Al Jazeera's creative director Morgan Almeida who took my site Viewmgazine.tv to make their own site and in which I went back to their site to see how I might modify my own.

The difference in approach resides in the value of new thinking; how working together - as new age hunters gets us to the fastest prey, gets us to new planes, gets us away from how our Gimme gimme gimme ways will end up undermining us.

It is being played on the world stage with climate control.

The biggest game of Prisoners Dilemma manifesting itself because some nations have no respect for others and so would probably want to go down togther than find common ground.

But I digress.

There's good reason I hope that as the Net digs deeper into the unit of our work-life's currency; when Net Neutrality reigns, that journalism - the exchange, interpretation of data and information creates something even more powerful and wonderous than we're seeing today.

That is from those already paving the way for change and they quietly know who they are.

GRAZIE

Nancy's one take video

You've probably seen her on viewmagazine.tv

Nancy Ginindza - rock chic ( as in sheek) heads back to Swaziland for a while, but not before we knock off her next video: Hunt me like an animal from her myspace.

The one above was a one take wonder: 3 minutes work for a 2.40 vid, handheld using the A1Sony

This time we're plannng something a bit more...well..it involves paint.

But if we can do it "Lars von Trier" style in a couple of minutes/hours...

Bourne......

The Bourne Ultimatum DVD..witth explosive bonus content...300....Apocalypto......Blood Diamonds..

Long nite in deconstructing how did they do that.

I think I'm going to re-mail Paul Greengrass; missed an interview with him by a whisker last time.

Ok loading Bourne..where's the popadoms

multimedia story Part 1

Just got the news that completes the Multimedia story package. Senior BBC Exec has agreed to the interview in the new year.

I'm thrilled.

Yeah the things that make me happy eh :)

Making of MM Journalist
Meanwhile Robb Montgomery from Visual Editors and me should be able to start The making of a multimedia Journalist from Egypt.

I apologise to the purists but it's a bit like pseudo bourne style meets wannabe Tony Scott.

You saw the trailer here some time back; if not here it is again: Trailer - Be a multimedia Journalist

Web 2.0 plus journalists

Hi David,

I jotted down a short list of items that we might want to talk about for our pod this Friday. Let me know what you think?

Web-Analytics and SEO:
- integration into publishing platforms
- Promotion of content
- tools that the PR industry uses to track online conversation, ie.
Buzz and how that might influence journalists

Datamining and Mashups:
- the role of journalists as explainers
- how to do effective datamining ie. Database journalism
- Mashup editors and how they can be used by journalists to explain
complex/data heavy subjects

Mobile Content.
I did something in this space just after we talked on monday. That
afternoon/evening I created a new service called SemaCard. When you
get a business card you only keep it until you have transcribed the
information into your electronic addressbook. That's a very tedious
process. Here's how you improve that whole process: Have you seen
those 2D barcodes (their called Semacodes)? They look kind of like a
mosaic. You generate one for yourself at my website, print it onto a
card and the next time you want to give someone your contact details
heres what you do:
They take a picture of the semacode and email it to find@semacard.com.
The system recognizes the barcode and replies with the contact details
which you can immediately add to your address book.
Now I'm thinking of expanding that concept to any content at all. Say
you create a semacode for a youtube video. If you take a picture of
that and send it to the above address you will get the video back, if
its for a song you get the MP3. Essentially what we have here is an
easy way to enter a URL on a phone.

Frederick
+++++++++++++


Bloody Marvelous mate - blinding



David

Welcome to Museum TV - but not as you know it

Some of the best museums in the world, renowned for their cultural and enterprising educational value could also be some of the best online TV stations around.

A couple of months back I had lunch with senior figures from some of London's top museums, which in turn came about from Jude Kelly, e new artistic director of the South Bank, drawing people to some of my previous installation-news work at one of her functions I attended.

They'd just had an Iraq exhibition of antiquities and were bouyed by the reception.

TV had covered it in the news with features, but when I asked whether they had their own films - they were a little surprised.

The Terracotta Army works in London present an interesting feature as well, also documented on the News and in this case a longish feature -a programme in itself.

But for every nugget that finds TV thousands of exhibits don't.

And here's where Museums are losing out in the content game.

There exists an overwheling feeling amongst the arts that TV is abandoning it.

TV Figures do show a decline as an observation rather than from emprical data which I don't have to hand.

But could the execs at the museum up their game?


Corporate VJs to the rescue

Here's how.

Raid the journalism colleges in your vicinity and attach a videojournalist, with also web skills ( SEO copy writing) to your unit.

They film those in between important events, even the high powered meeting discussing whether Banksy should be given pride of place in the main hall.

Weeks before the show, release the film and watch your attendance rise.

Firstly, less you fely you need a TV film crew; you don't and the cost of a VJ is well, affordable.

Secondly, you may well end up owning the rights.

And if there is one way of wooing TV back to an issue, it's when you have archive et al to give it context.

So if you're from the Smithsonian, Guggenheim - where I filmed some time back as part of CIRCOM ( Regional TV body) and am yet to post.

Or you're from the VA, you might want to consider this.

Last night I had an email from one of the UK's forward thinking companies wanting to give me a press release.

I emailed her back to say a videojo, video new release - call it what you will would be better served for the Youtube - visual age.

We'll see.

Future Programming Now

This is interesting.

It's the back page of the Guardian newspaper beckoning readers to fill in this makeshift scheduling menu with the raft of quality programmes Virgin Media cable has to offer.

Now why can't I pick out the programmes I want from an I-phone or similar device.

That way I can either watch them on the handheld or if I wanted to watch them at home send a data request form to my TV which puts my chosen programmes into a holding pen ready to go when i'm in

Do that and we won't only avoid turkeys this Christmas but all year around

Dis-integrating videojournalism and multimedia

Viewmagazine.tv is a resource, a sand box, as well as my mnemonic - where I brain dump

And now it's getting a bit unwieldly, so hopefully to simplify things I'm dis-intiing the site into presentations and "how tos?" against vj - multimedia features.


There's going to be some overlap, a lot at first and I'll have to change the nav system so it lands were it ought to.



These are some snap shots of the viewmagazine.tv

Hopefully it's self explanatory.

One has me very excited - the Outernet.

The picture is a set to animate online which was the kernal for Viewmagazine and interactive magazine's online.


I'm going to be talking about this at Cultural EXchange, but please feel free to lob questions etc as you've been doing via email etc.

How many journalists check their web analytics against articles each morning?

Frederick is somone you don't wanna mess with.


A former student at the University of Westminster now running his own business, he has an eye for the back end coder wtih an radar for the new new thing.

So when I got skyping with him about SEO and rich key word linking, Frederick already had some ideas to give an article more google juice.

More on that on Thursday when I'll record a brief interview with him.

He's already built an application that facilitates symmetrical up-download from your site or outernet.

Clever lad.

But to that question.

How many journalists check the google ranking via a range of analytics in the morning?

And how soon before we reach more defined ground where writing for human consumption is still the end goal, but you have to satisfy the google beast or bots first on the way.

Looking at in and outbound links, as well as key rich word density.

Data mining journalism
We truly are heading for an automative journalism society.

And the future reall will have more and more clever clogs writing articles and avoidng filtering software to reach higher penetrations in the same way spammers rewrite code all the while to beat filters.

This morning in a bid to monitor bots entering Viewmag I found myself writing a new robot.txt file.

Then we delved into myphp database.

Frederick touched on a subject already made popular by Adrian Holovaty, but not used anywhere near as much- public data.

The amount of data available by government bodies etc is there to be mined by journalists, according to Frederick.

More on than and more on Thursday

New media training for the newsroom Continues

Following on from recent posting on New Media training for the newsroom, one of a series of video clips to drop into the theme.

This looks at the classic interview/ Q and A/ you see on TV.

In many ways it's the easy pick - the low hanging fruit.

I have shortened the timeline of the process but the technique should appear obvious inspite of a muddled audio.

This was a sequence picked up by another VJ and I wasn't miked for the process.

Three different shots which visually move on the narrative to give you various cut aways and establishers.

Somewhere in an archive posting is an interview with 7/7 survivor Rachel North done in the fashion described.


INTERVIEW, CUT AND POST IN 10 MINS

We ran an experiment at a Skup in Norway.

An interview with four questions, one edited out, cut and posted took ten minutes.

Because I'm shooting to edit, my timeline in FCP is clean.

All I have to do is mask the question I have removed and provide enough drop in shots to make the interview look interesting.

A decade plus ago, perhaps even now, TV will tell you you need two three people to execute that interview.

In 1994 we proved then, as now that a lot of the visual cues and language of TV was outmoded.

There was a swifter way of doing it.

Today a lot of my interviews tend to be handheld; that's a conscious filming style which allows me to work more creatively and swifter.

You can see an example of a more fluid interview here - one I did with super blogger and academic Andy Dickinson and respected Doc maker and also part of the MELD team Paul Egglestone

Brit Grit - Commiserations Hatton, Lennox reflection

When we were Champs


Woke to the news this morning of Ricky Hatton's failed quest to capture the WBC welterweight title from Floyd Mayweather Jr.'s

Commiserations Hatton, but in sporting tradition, a tipped hat to Mayweather.

The event made me reflect on my involvement with another champ, Lennox Lewis, before his title fight with Tyson.

His camp had seen and heard about my work and together with an acclaimed video director, Ken, brought me into camp base for a three month run that intensified nearer to the date.


Life Experiences
There are few experiences I will never forget and this was one of them.

The unswerving attutude of his camp, I'd imagine similar to Hatton.

The training regime: I got onto the canvas with him soon after the shoot above where he's working his rotations.

He's a quiet man, and reserved but if he likes your vibe he'll give you some good shots said his crew, disregarding the fact that this was their video.

During one train session he simulated punches to my camera and ribs: the video's in my archive somewhere and if you watch carefully you see me wince the camera.

Lennox got so close I thought crikey he's going to hit me.

I'm pretty sure the Lennox Camp, they're still close to one another, would have watched the fight willing Hatton as much as Mayweather on.


The King and Champ
In the home of Elvis, Memphis, where Lennox' fight took place I doubled the evening up by flitting first from the fight to a sports cafe and back again, shooting furiously and interviewing on the fly.

All the footage is now with Lennox; he acquired the rights or shot his own footage for what may well be a definitive doc in the future.

The above and one or two other minutes were shot on another mini-dv; yep I had two with me, sometimes shooting simultaneously.

That evening or early morning at three oclock I was writing copy for his site; it's here somewhere if I can find it, and then creating some flash promos.

Bleary eyed through lack of sleep, we then set off to the party driving along a stretch of road, his minder/driver so tired that I had to drive the 4x4 part of the way.

The project had taken me form the UK, Pocono Mountains, UK, and Memphis with the option to go to Ghana where he was due to celebrate with his business manager, junior, who is Ghanaian.

Anyhow's just some random thoughts.

I have never really written about it; I should.

But I do recall one amusing story ringing up two nationals in the UK to give a live eye witness account in the inner circle - they both turned me down.

That's life huh!

Viewmagazine reverts to classic look

A range of articles and video looking to talks coming up on Viewmagazine.tv - first the World Newspaper Association - four hundred of the world's newspaper editors discuss trends and their industry

Multimedia thinking - see below

Is this how it could be?

Within the ecology of the article above lay many strands.

As an introduction to this thinking; the text resembles blocks of information.

Right side brain interprets it almost as a picture, given its shape which is dominant over left side, literary.

See Leonard Shlein.

The skewed nation of the positioning may suggest a hierachy, but truthfully it was placed randomly around an aesthetic.

Each block should be able to expand to the screen or shrink.

Key words light up other texts; they're viral.

Eack key word can activate video.

There looks to be a beginning born from the latest posting, but it's a circular dialogue.

The picture is video - a multi-deliverable asset combining Flash, Video and Text.

The video in itself is the programme and not the programme.

The real programme had Riz Khan interviewing Designer Ozwald Boateng.

I have gone behind the scene to capture elements that could add to the interview or stand alone.

There are various nodal point along the lines of the interview which could activate other films such as this one - an earlier interview with Ozwald .


In this film you'll see some of the emerging ideas of what I might call "outer space" interviews.

Ozwald asks me a question designed to be off camera but is kept in to reveal the nature of discussions: the interview and the non official interview.

If you wan't to read the linear form see previous post.

Soon I'll post the interview

The emerging language of bespoke news and programming

Huddled over a small screen, a bagel in one hand, a young boy is furiously tapping away at his mobile, whilst across the opposite seat a business man tututs.

[ 1, 2, 3, 4] He's been staring at his screen for the length of the 40 minute train journey, intermittently indexing the screen which appears to activate a new sound stream.

Truthfully, the two could have continued ad infinitum.

This is the era of bespoke news.

Packets of news, with no beginning, middle or end, just information whose content and direction you're in charge of.

Bespoke news?

An anathema in itself, as the very idea of news at the moment, designed top downwards is seen as bespoke.

But this is different, thick with content and stylised like an Ozwald Boateng suit. It's 2014.

You can also read this article on viewmagazine.tv


***SUITS YOU***

[ 1, 2, 3, 4] Ozwald Boateng is the dashing daring young buck who dared take on an establishment in Britain.

Savoy Row, as refined as royalty and the essence of Britishness, Ozwald would launch a concept to challenge the status quo: bespoke haute couture.

In his plush offices just off Savoy road, he is recounting his life story to Al Jazeera's Riz Khan for a special One on One.

Riz Khan boldy entertained an idea for me to shoot in between the programme takes providing at times some rivetting and loosely structured converation between the two, where in some cases Ozwald is inadvertently interviewing Riz

It's the first time I'm hearing Ozwald's journey despite knowing him for near twenty years, but it symbolic for what he has achieved, in concert with a new mood for change in design.

Ozwald's brash colours and clean line cuts rejuvenated and industry few believed was broke.

Today, news, another bastion is having a pasting from all sides; an onslaught from DIYers and more poignantly a stylistic collective of journalists inhabiting a new news econiche, multimedia.


***BESPOKE***

[ 1, 2, 3, 4] Multimedia is News' bespoke couture~ a language crystallising around the edges of designers and news enthusiasts: old and young raiding the news space for attention.

Honed amongst the labs in MIT, it's come a long way mutating in form and function.

The trend at present is to attempt to cull news info by throwing at it the following variables: text, audio, video, and pics.

Multimedia - the one stop solution, delivering many media.

But through a series of interviews with industry figures, from the national Telegraph to design student it's apparent that it has as much universal form now as an amoeba.

It means different things to many, but an intriguing quality of this emerging format is that is stands to become a language in itself.

Consider this: the central tenant of the news package is the unit of multiple voices within one conversation between the network and its constituents, you.

It asks the question what, where, when how, and why - news' k. app.

It seeks self containment, closure: he said, she said supported by clips.

And it's delivered by an expert.

In the land of multimedia, the package is open ended, a conversation between many.

It posits temporal as well as spatial questions: geographical relations that connect each other.

It eschews containment, introducing nodal points facilitating multiple entry.

The inverted triangle which so governs news disentegrates into a series of smaller triangles each interconnected.

You start the conversation and we'll move it on.

In an era of nuclear media, ones and zeros enveloping into columns of information, it's a wonder why we haven't harnessed a fraction of what we do.


We Kill more than we eat - wasteful

[ 1, 2, 3, 4] Take this: a reporter spends 2/3rd of their time fashioning the elements of a report, discarding sometimes 3/5th of their story.

The journey, interconnectedness of pulling together the story, over space and time are considered almost irrelevant.

The report equally fixes us with a narrative with no room for flexible entries elsewhere along its linear well defined timeline.

What's discarded out of hand any question beyond that of its author of relevance.

Multimedia is twinned with interactivity.

And interactivity says Mark Steven Meadows from a well recieved book on interactivity Pause an Effect is a response to a response.

It is cause-effect- cause: time and journey matter, none of which news in its present form delivers on online.

But it's early days. Leonard Shlein in the Alphabet versus the Goddess makes a convincing argument about right side brain funtions e.g. imagery dominating left brain attributes such as literacy.

We've seen the results with television's inception, but it, TV, has largely remained unchanged since servicing an information starved populace.

The Nets coming of age, multimedia which I'll return to in a follow up has the potential to deliver news and info not as a 360 degree axis, but zero.

It will fold on itself- zero sum

In next article I'll expand on some of these notions, but before then you'll have noticed I have named certain sections of this post as [1.2,3,4].

If I changes the numeric order of this "stanzas" does the text still makes sense.

See proceeding post.

Grrrrrrr Network reporters

What is it about network reporters who get a dose of lyrical diarrhoea when it comes to reporting tragic shooting?

Grrrr!

This recent case, in the US, raises the spectre again of a cruel fixation of news by the insecure versus news' clamour to report.

He the gunman wants to be famous, but he won't be around to experience this warped sense of fame.

That wicked legacy is foisted on the viewers.

Could the media engineer a media boycott, which would send a message to any other disturbed soul contemplating this evil crime?

You'd hope so.

"Ladies and gentlemen we were going to report on this because it's news, but we've changed out focus to look at those who are suffering, rather than the perpetrator of this string of violence looking for publicity."

It'll never happen

What the media boss needs for Christmas

image courtesy of Wayne - his own illustration - whom I should be interviewing soon

A new car, a bonus thrice his/her salary, or Ms Angelina Jooooliieee?

No.

If you're thinking of getting your media boss an everlasting gift, nip down to the nearest high school/secondary school and observe students at work during IT hours.

There lurking at the back, in between being taught mouse movement and how to use google is the ONE.

S/he, though they tend to be hes is the kid who dare not speak his name.

He mashes up RSS with feed burning protocols, realigns the video codecs to pum out near HD quality on the mobiles, and speaks for a generation in taste and style; except his own is found wanting.

S/he's tie is shaped like the blues brothers and there's the touch of the Harry P ( Potter) about their personna.

Wierd but inclusive, or at least they try to be.

Dotcom Prince
At the height of dotcom mania in Soho, I knew one such figure.

Geez just what couldn't he do switching from perl to Msdos and then claiming photoshops algorithim if applied this way could do this.

Do what?

This?

OMG.

If you want to impress the boss for Xmas, go waive a contract in from Harry P offering free reign of your newsroom, a desk of their own, a journalists card, and all you have to do chosen one, is tell us what we're not doing right now and what's going on out there!

Get yourself a geeky net wizard is what I'm saying.

And that much I'll say and more at the World Association Newspaper Congress next year.

Just remember a teenager is for life, not just for xmas

Televisual web

If we extrapolate on the the enveloping sense of right side brain dominance over the left.

In particular imagery and music over literature, as so unnervingly put by Leonard Shlain ~ Art and Physics/Sex, Time and Power then it's very likely that we're heading towards a televisual web.

A growing body of events allude to that elsewhere: net speeds get quicker supporting bigger downloads, and supporting richer media experiences.

It's been a joy for me just seeing how I can encode for a 28k modem at 240X120 to 720X330 as seen here with the file coming in at around 7mb.

We've only touched the void.

There are some clever people writing algorithms which will be the equivalent of TV's mass visual explosion and then what!

inspired by maths

A site in progress for an amazing friend who is a composer.

Inspired by my maths background in Integration- differentiation ~ a work in progress

Heroes

Heroes finale BBC (UK) .. now that's what I'm talking about.

but where do they go from here?

Woops? GENERATIONS... spoke to soon

Chuck Norris and the PCs

Mid afternoon in a quiet surburb, then all hell breaks loose.

He's flushed down a toilet, thrown from a second balcony flat, then kicked into touch like Johhny Wilkinson ( Rugby) with that sweet foot of his.

No not Chuck"hard as nails" Norris.

The PC that goes by the name: The Panasonic toughbook.

And still it works. IT WORKS!

If you know any of the Norris' jokes I won't bore you suffice to say this thing roundhouse kicks Norris before he considers having the harddrive for waffles with his grits.


Chuck Norris doesn't use PCs. His fists keep smashing the screen
The PCs were designed for combat life, but like many military apps are finding their way into civie street; workplaces where there's a high risk of dropping things, like hospitals.

"Woops! Sorry Mr Nash, did you bang your head.
Poor you, but my computers ok."

Frankly there should be national competitions testing its thresh hold as well as questions being asked of other manufacturers.

Yesterday I bumped into a colleague and jolly well, damn near damaged my hard drive.

What I need... What I need is.. I need me a toughbook.

Now that's what I want for Christmas.

Get them quick before Chuck does

Diplomatic conundrum

Gillian Gibbons - the British teacher - who named a teddy bear Mohamed and was sent to jail for fifteen days, is freed and pardoned.

Now lets look behind the scenes.

I'm not privy to the diplomatic conversations but am extraoplating my experience based on stories I have done in this area in the past and from hearing diplomats shed light on behind the scenes antics from attending Chatham House where I have been a member for the last 14 years.

Ms Gibbons is coming home.. well if she had her way she wouldn't want to.

That was the whole point, presumably of her going to Sudan in the first place, to lead a new life.

The team that went out to secure her release; now what would you give to have been privy to their strategy?

If the president Omar al-Bashir had not met with the two officials, British Muslim peers, Lord Ahmed of Rotherham and Baroness Wars, then you can expect their would have been be a bit of a fall out with the British government.

Diplomatic Ways
Diplomacy works in mysterious days and well, er, wrist-slap is a dish nicely served cold: a Sudanese official party to the UK inadvertently held up at Heathrow or something else.

Woops, an embarrassing moment set to take place down the line.

But the president's move now gives him cash in the bank.

The Africans have an expression scratch my palm and I'll scratch yours, after which they'll add: "Now lets drink tea", a brief moment to celebrate.

Keep and eye on for a diplomatic entourage to the UK in a year to 18 months time, with favourable results.

On the other hand, you may not hear anything; that's the whole point of diplomacy and to paraphrase ex CIA James Woolsey talking about the clandestine services with me ie the CIA which also translates well to diplomacy, what they don't want you to know, you wont.

Ms Gibbons spent 8 days in a prison which in her own words wasn't that bad - the ministry brought her a bed!

A prime catch, however the Sudanese authorities were not going to have her slopping out with other hardened criminals.

Humiliate the British government but for goodnesss sake don't rub it in.

So having been pardoned, Ms Gibbon's experience has ironically in a rather "unhelpful" fashion been cut short.

Unhelpful because if she's to sell her story, it's only 8 days.

The real cause celebre story would have her emerging from prison having served the full 15 days.

Selling her Story
And the point is can she sell her story?

It's likely somone wil be contacting Max Clifford - PR/newspaper guru for advice.

One question is is the pardon tantamount to a clean-criminal-slate?

If it is it gives her an ethical and technical victory: she's not a criminal.

If it hasn't been expunged that benign holiday trip to the US might be complicated filling in the immigration card.

And the newspapers would rather not run up against their industry guidelines about paying criminals for their story.

Yes the crime was elsewhere.

So she'll be back tomorrow; you could start to write the story now.

The media will go into a frenzy, GMTV, BBC, the tabloids and qualoids; she will for 15 minutes become a celeb.

And then it'll be over, with part of her self back and a reflection of the life she so beautifully was leading before this very unfortunate state of affairs kicked in.

But everyone's a winner: The president: the two British peers; the media ( juicy story); and, even, even Ms Gibbons, well!

p.s Watch out for a photocall (sic) with high powered govt officials which should bat the dodgy donations issue into touch for a while

SEO of the journalist

It's likely the very mention of SEO draws bewildering stares, bordering on lunacy, from a room of journalists - the non-techy types.

So spending the evening rummaging through my monthly susbscription ( I have rarely looked at it) of SEO news at times seemed futile and truth, grrrr mind numbling tedious.

Gosh ! You could spend a lifetime "safe cracking" the wherewithalls of SEO and towards what end: world domination.

It's debatable in the end, but there's some truth in the matter that key-word indexing and obeying the rules of SEO may even usurp quality of articles.

Fancy that, a new breed of journalists who write well, even perhap mediocrely, but reach high rankings because of their understanding of how bots and robots work.


Content in not king, well. . .
Content is, yes you're ahead of me, but that means nothing, or does it, if you no one can find you?

Most newspapers by dint of having an audience and a litany of fine writers get bangs for their bucks, but their hegemony stands to be challenged in an evolving web which increasingly packages varying algorithims around how we say what we say and how we link those.

I ran an experiment two weeks ago posting a set of articles for a site in an area previously neglected and within the week noted it had climbed to the front page of a three million page index.

That's not bravado, but illustrates how writing for the web, ( go look at Jakob) is fundamentally different to writing elsewhere.

Interestingly I also learned that Jakob eschews blogs in favour of articls for online sites.

It's worth drilling his article to understand his point.

And the over arching point in all this: everyone wants to be linked to, BUT not all links give you street cred.

In fact some links even devalue you: I'm picking up my book on advanvced mathematics to distil this in easy language.

Blog Value
But blogs though have huge benefits which need little explaining.

It's a point well exercised in the first six sessions for some of our cohorts working online.

For what it's worth a strong draw on a video ( which has its own rules) coupled with linking articles might just do the trick.

Trouble is you'll grow grey hairs stuck to your PC.

Time to get a life!

A year in Journalism

Snapshot of front page of viewmagazine.tv
You've got to like listening to stories.

Why do we do it?

Perhaps you can tell me?

For me, it's about individual experiences, how those translate to others, make an impact on lives; in some cases the lives of the very authors themselves as they reflect on their own journeys.

It's most likely instictive; from the early years of gesturing to word formation, finding the basics ie food and shelter to complex permutations of words e.g Chormsky.

In many cases - a darn right curiosity of others whose origins and customs, we've perhaps read or barely touched on but would like to know more.

Celebrity tests the banality of this overzealousness.


Exit Interviews
So to the case of these series of shorts I have been making in recent years which have become my vivid photo-video portraits.

One question posited to the interviewee that hangs in the air for them to ponder.

Once Masters students in journalism, crossing the thresh hold to professionals, set on informing us of issues that richochet our lives.

Why should we be fasincated even more so.

Because of the physics of our time; the strains and strifes of the world ( steady on David) against journalism 12 rounds and going with a Tyson in his hay day.

It's fair to say this is the most tumultuous time for storytelling and the most exhilirating.

And that's why I like millions are so fascinated people's stories.

Everyone has something to say; this is my chance to document those whose paths we both have crossed.

Steady cam - handy cam combo

Tom Barrera dropped me a line with details of an interesting device he's created here.

His words:" A way to do photo and video journalism at the same time. I doubled my income with it.
Its called a Quad Pod Combo Al lin One".

Thanks Tom.

And I like the maketese line "I doubled my income with it"

This isn't an endorsement, as I have never tried it, but equally I'm not being dismissive.

If it can help make the work of photojo and video easier then that must be useful.

Have a look and see what you make of it.

Camera devices
There are a couple of devices on the market for videojos: film maker Mike Figgiss' 'wheel like steady cam - the Fig Rig" has been used by a fair few friends of mine in shoots.

Then there's the steady cam junior - a smaller version of the steady cam, that perhaps doesn't get used enough.

A simple enough steadycam can also be obtained from a small tripod by weighting the bottom and extending the neck where you'll place your grip.

In Norway, if I can find the film, a senior exec has the camera attached to a pulley device.

Last week at Reuters one of their execs spoke about a min- body crane that helped you do Pieces to Camera or Standups so you could get an appreciable depth of field.

Keep those devices coming

Exit interviews

For the past couple of years taking a Masters class in journalism, I have conducted exit interviews as they ready themselves to fly from the nest - ok analogy I suppose.

Sometimes I have asked odd questions.

Who would you invite for dinner and why?

What one thing would you like to change in the world?

Sometimes you might even get asked these at interviews as I have in the past.

So coming up a dive into the recent archives and class of 07 -the fantastic new generation of journalists, doing everything and anything we, you might have wanted or still want to do.

In the excerpts coming up on viewmagazine, they're talking about the year: short burst clips summing up what they've done, their fears ( should they have any) and the road ahead.

Amongst the group is the 24 year old zeigeist journalist now at the BBC as their Gaza Correspondent, Tamer.

And others who are commanding respect and attention in their endeavours.

Makes for fascinating listening